FEATURES The Play for Tomorrow: Steve McQueen’s Small Axe by Michael Sicinski The Crowd is Dead, Long Live the Crowd! by
TIFF Day 1: City to City: Buenos Aires / The Boy Who Was a King / Duch: Master of the Forges of Hell / Hard Core Logo II / Hors Satan / The Last Christeros / Lipstikka / A Mysterious World / Nuit #1 / The Other Side of Sleep / Restless / The Sword Identity / We Need to Talk About Kevin
By cscope2 In Cinema Scope Online, TIFF 2011
TIFF Countdown -2: Martha Marcy May Marlene / Afghan Luke / ALPS / The Artist / Beauty / Fable of the Fish / First Position / The Ides of March / Kill List / Le Havre / The Loneliest Planet / Page Eight / Pina / Play / A Separation / Sons of Norway / The Student / Tyrannosaur
By cscope2 In Cinema Scope Online, TIFF 2011
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Cinema Scope Issue 85 Table of Contents
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The Play for Tomorrow: Steve McQueen’s Small Axe
By Michael Sicinski One of the best known of Steve McQueen’s early video works is Deadpan (1997), a four-minute, 35-second
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The Crowd Is Dead, Long Live the Crowd!
Les misérables By Erika Balsom for RMC 1. It was a total coincidence and yet it felt freighted with meaning:
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All the Fountains of the Great Deep: Artavazd Pelechian’s La Nature
By Phil Coldiron Artists who write clearly about their work run a serious risk: that they will be taken at
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Minority Report: Armond White Wants to Make Spielberg Great Again
By Adam Nayman The “About the Author” section of Armond White’s new critical anthology does not disappoint. In the space
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Cinema Scope Issue 85 Table of Contents
