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Cinema Scope Issue 85 Table of Contents

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Issue 84 Table of Contents

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Cinema Scope 83 Table of Contents

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Cinema Scope 82: Table of Contents

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Cinema Scope 81 Table of Contents

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Cinema Scope 80 Table of Contents

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Cinema Scope 79 Table of Contents

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Cinema Scope 78 Table of Contents

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Cinema Scope 77 Table of Contents

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Cinema Scope 76 Table of Contents

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Cinema Scope 75 Contents

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Cinema Scope Magazine

Cinema Scope 74 Contents

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Issue 73 Table of Contents

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Issue 72: Table of Contents

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Cinema Scope Magazine Issue 68

Issue 68: Table of Contents

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Issue 70: Table of Contents

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Issue 69: Table of Contents

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Issue 67: Table of Contents

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Issue 66 Table of Contents

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Issue 65 Table of Contents

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Issue 63 Table of Contents

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Issue 64 Table of Contents

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Issue 62 Table of Contents

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Issue 61 Table of Contents

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Issue 60 Table of Contents

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Issue 59 Table of Contents

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Declarations of Independence: A Conversation Between Alex Ross Perry and Joel Potrykus

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Issue 58 Table of Contents

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Issue 57 Table of Contents

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Cinema Scope Issue 56

Issue 56 Table of Contents

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This Is Martin Bonner (Chad Hartigan, US)

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Issue 55 Table of Contents

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Sex, Death, and Geometry: A Conversation Between Alain Guiraudie and João Pedro Rodrigues on L’inconnu du lac

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One-Man Band: A Conversation with Matt Johnson About The Dirties

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Issue 54 Table of Contents

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The Cinema Scope Top Ten of 2012

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Issue 53 Table of Contents

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Issue 52 Table of Contents

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World Out of Order: Tony Scott’s Vertigo

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Issue 51 Table of Contents

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Issue 50: Table of Contents

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Welcome

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Cinema Scope Top Ten Films of the Decade

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We Need to Talk About Terry: A Roundtable on The Tree of Life

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Issue 30

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From the Magazine
- Cinema Scope Issue 85 Table of Contents
  
  FEATURES The Play for Tomorrow: Steve McQueen’s Small Axe by Michael Sicinski The Crowd is Dead, Long Live the Crowd! by
- The Play for Tomorrow: Steve McQueen’s Small Axe
  
  By Michael Sicinski One of the best known of Steve McQueen’s early video works is Deadpan (1997), a four-minute, 35-second
- The Crowd Is Dead, Long Live the Crowd!
  
  Les misérables By Erika Balsom for RMC 1. It was a total coincidence and yet it felt freighted with meaning:
- All the Fountains of the Great Deep: Artavazd Pelechian’s La Nature
  
  By Phil Coldiron Artists who write clearly about their work run a serious risk: that they will be taken at
- Minority Report: Armond White Wants to Make Spielberg Great Again
  
  By Adam Nayman The “About the Author” section of Armond White’s new critical anthology does not disappoint. In the space

Cinema Scope Issue 85 Table of Contents

FEATURES The Play for Tomorrow: Steve McQueen’s Small Axe by Michael Sicinski The Crowd is Dead, Long Live the Crowd! by Erika Balsom All the Fountains More →
The Play for Tomorrow: Steve McQueen’s Small Axe

By Michael Sicinski One of the best known of Steve McQueen’s early video works is Deadpan (1997), a four-minute, 35-second loop in which the artist More →
The Crowd Is Dead, Long Live the Crowd!

Les misérables By Erika Balsom for RMC 1. It was a total coincidence and yet it felt freighted with meaning: when I returned to the More →
All the Fountains of the Great Deep: Artavazd Pelechian’s La Nature

By Phil Coldiron Artists who write clearly about their work run a serious risk: that they will be taken at their word. In much of More →
Minority Report: Armond White Wants to Make Spielberg Great Again

By Adam Nayman The “About the Author” section of Armond White’s new critical anthology does not disappoint. In the space of four short paragraphs, White More →