CS60

Quest for Happiness: A Conversation with Peter von Bagh

By Boris Nelepo / September 16, 2014

By Boris Nelepo and Celluloid Liberation Front 9/22/2014: We were saddened to hear of Peter von Bagh’s death on September 17, 2014. In Citizen Peter, last year’s book on Peter von Bagh (edited by Antti Alanen and Olaf Möller) published in his native Finland, the object of study is dubbed “a Renaissance man,” which is…

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Issue 60 Table of Contents

By Cinema Scope / September 16, 2014

This is the complete list of articles from the print magazine issue of Cinema Scope #60. We post selected articles from each issue on the site. For the complete content please subscribe to the magazine, or consider the instant digital download version. Articles available free online are linked below. INTERVIEWS L’avventura: Pedro Costa on Horse Money by Mark Peranson Quest for…

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Pacifico’s Heights: Simone Rapisarda Casanova on The Creation of Meaning

By Jason Anderson / September 16, 2014

By Jason Anderson Simone Rapisarda Casanova says that there is a Borges story so deeply embedded in his brain that only a lobotomy could remove it. Such a surgery would be suitably Borgesian in and of itself, but he should be safe from it in the meantime. The story, he explains, is “The Aleph,” a…

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A Place Beyond the Pines: Twin Peaks: Fire Walk With Me, the Missing Pieces, and the Legacy of Brutality

By Jordan Cronk / September 16, 2014

By Jordan Cronk It’s an odd feeling—in fact, it borders on the disconcerting. Could this be it, the conclusion of the Twin Peaks saga, more than 24 years after ABC first broadcast the show’s pilot episode on an otherwise unexceptional Sunday evening in the spring of 1990? Seemingly so much and so little has transpired…

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Issue 60 Editor’s Note

By Mark Peranson / September 16, 2014

As we put Issue 60 of this magazine to bed, where, as a matter of fact I am now typing—like Proust, I like to write in bed and muse about better times—Twitter informs me that most of the people I follow will be off to the Toronto International Film Festival, and are preparing their schedules…

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Film/Art | Harun Farocki’s Inextinguishable Fire

By Andrea Picard / September 16, 2014

By Andréa Picard “The image always occurs on the border between two force fields; its purpose is to testify to a certain alterity, and although the core is always there, something is always missing. The image is always both more and less than itself.”—Serge Daney, Libération (reprinted in Devant la recrudescence des vols de sacs…

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Global Discoveries on DVD | Prizewinners, Also-Rans, and Others

By Jonathan Rosenbaum / September 16, 2014

  By Jonathan Rosenbaum DVD AWARDS 2014 XI edition (Il Cinema Ritrovato, Bologna) Jurors: Lorenzo Codelli, Alexander Horwath, Mark McElhatten, Paolo Mereghetti and Jonathan Rosenbaum, chaired by Peter von Bagh BEST SPECIAL FEATURES ON BLU-RAY Late Mizoguchi—Eight Films, 1951-1956 (Eureka Entertainment). The publication of eight indisputable masterpieces in stellar transfers on Blu-ray is a cause…

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Exploded View | Michael Snow’s Wavelength

By Chuck Stephens / September 16, 2014

By Chuck Stephens. “The film is a continuous zoom which takes 45 minutes to go from its widest field to its smallest and final field. It was shot with a fixed camera from one end of an 80-foot loft, shooting the other end, a row of windows and the street. Thus, the setting and the…

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20,000 Days on Earth (Iain Forsyth and Jane Pollard, UK)

By Angelo Muredda / September 16, 2014

By Angelo Muredda “Songwriting is about counterpoint,” Nick Cave insists early in 20,000 Days on Earth, Iain Forsyth and Jane Pollard’s curious documentary slash postmodern biography of the Australian singer-songwriter and Bad Seeds frontman; you put two disparate images beside each other, he explains, and see which way the sparks fly. That Cave’s definition of…

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Going for Baroque: The Films of Eugène Green

By Blake Williams / September 5, 2014

By Blake Williams To get it out of the way at the outset: Eugène Green, now 67 years of age, began making films when he was 53, all of them built around and deeply concerned with a set of traditions belonging to the arts of the Baroque period, particularly its theatre. His body of work…

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Beautiful Games: Matías Piñeiro on The Princess of France

By Andrew Tracy / September 2, 2014

By Andrew Tracy While the opening proper of Matías Piñeiro’s The Princess of France will (or at least deserves to) be one of the most celebrated sequences of any film this year, the voiceover prologue that precedes it is perhaps the more telling in terms of Piñeiro’s ongoing project: a call-in radio show host announces,…

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Imaginary Love: Xavier Dolan’s Mommy

By Adam Nayman / September 2, 2014

By Adam Nayman In 2014, in a fictional Canada, Xavier Dolan’s fifth feature Mommy doesn’t get much attention at all… It’s a fine line between utopia and dystopia. To say that the world (of cinema) would be a better place without Xavier Dolan might be pushing it. But would it really be worse than the…

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The Noise Made By People: The Films of Martín Rejtman

By Max Nelson / September 1, 2014

By Max Nelson It would be easy to mistake Two Shots Fired, the new feature from Argentine filmmaker Martín Rejtman, for a less original film than it is. Considered in isolation, its stubborn, deliberate anti-expressiveness—it concerns a short spell in the life of three troubled members of an upper-class family whose faces, voices and bodies…

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City to City 2014 and Beyond: TIFF’s Uneven Seoul Patch

By Michael Sicinski / September 1, 2014

By Michael Sicinski There’s really no point in discussing the Toronto International Film Festival’s City to City program as such. While the festival’s promotional materials call it “a snapshot of where’s hot right now,” it’s also a way for TIFF to curry favour with certain organizations and governmental bodies involved in international film production and…

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L’avventura: Pedro Costa on Horse Money

By Mark Peranson / September 1, 2014

By Mark Peranson I walked with a zombie I walked with a zombie I walked with a zombie Last night   Horse Money, the first new “fiction” feature from Pedro Costa in almost a decade, begins with a silent montage of poignant photographs from the Danish-born Jacob Riis of New York tenement dwellers in the…

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