cinema-scope-magazine-60-coverThis is the complete list of articles from the print magazine issue of Cinema Scope #60. We post selected articles from each issue on the site. For the complete content please subscribe to the magazine, or consider the instant digital download version. Articles available free online are linked below.


INTERVIEWS

PrincessofFrance

L’avventura: Pedro Costa on Horse Money by Mark Peranson

Quest for Happiness: A Conversation with Peter von Bagh by Boris Nelepo and Celluloid Liberation Front

Beautiful Games: Matías Piñeiro on The Princess of France by Andrew Tracy

Pacifico’s Heights: Simone Rapisarda Casanova on The Creation of Meaning by Jason Anderson


FEATURES

twin peaks copy

No Protection: When John Ford Went to War by Christoph Huber

Philosophical Toys: Thom Andersen’s Antecinema by Phil Coldiron

The Noise Made By People: The Films of Martín Rejtman by Max Nelson

Going for Baroque: The Films of Eugène Green by Blake Williams

City to City 2014 and Beyond: TIFF’s Uneven Seoul Patch by Michael Sicinski

Imaginary Love: Xavier Dolan’s Mommy by Adam Nayman

Voices Off: The Films and Videos of John Smith by Samuel La France

A Place Beyond the Pines: Twin Peaks: Fire Walk With Me, the Missing Pieces, and the Legacy of Brutality by Jordan Cronk


COLUMNS

wavelength

Editor’s Note

Film/Art | Harun Farocki’s Inextinguishable Fire by Andréa Picard

Global Discoveries on DVD by Jonathan Rosenbaum

Exploded View | Michael Snow’s Wavelength by Chuck Stephens


CURRENCY

20000 days
The Captive by Adam Nayman

20,000 Days on Earth by Angelo Muredda

Eastern Boys by Tom Charity

The Expendables 3 by Quintín

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From the Magazine

  • Cinema Scope 80 Table of Contents

    Interviews  No God But the Unknown Pietro Marcello and Maurizio Braucci on Martin Eden by Jordan Cronk I See a Darkness: Pedro Costa on Vitalina More →

  • No God But the Unknown: Pietro Marcello and Maurizio Braucci on Martin Eden

    By Jordan Cronk “Of course it was beautiful; but there was something more than beauty in it, something more stingingly splendid which had made beauty More →

  • I See a Darkness: Pedro Costa on Vitalina Varela

    A moving study of mourning and memory, Pedro Costa’s revelatory new film offers an indelible portrait of Vitalina Taveres Varela, a fragile yet indomitable woman who makes the long voyage from Cape Verde to Lisbon to attend her estranged husband’s funeral, but misses the event itself because of cruel bureaucratic delays. More →

  • Woman on the Verge of a Nervous Breakdown: Kazik Radwanski’s Anne at 13,000 ft

    The prospect of spending an hour and a half with people lacking in notable virtue, alluring vice, or any apparent interest, may seem like an unproductive exercise in forced empathy—but consider this skepticism a function, as opposed to a fault, of these tightly orchestrated, seemingly soporific character studies. More →

  • For a Cinema of Bombardment

    Although there have always been intrepid critics and cinephiles who have engaged with films belonging to the non-narrative avant-garde, there has existed a perception that such films, operating as they do on somewhat different aesthetic precepts, could be considered a separate cinematic realm, one that even the most dutiful critic could engage with or not, as he or she saw fit. More →