By Madeleine Wall The only directorial debut to make it into this year’s official Cannes competition, Ramata-Toulaye Sy’s Banel & Adama is a clash of love and tradition in rural Senegal. At 18, Banel (Khady Mane) was widowed from Adama’s (Mamadou Diallo) brother, and as per tradition, he married her in his sibling’s place. This…

By Madeleine Wall Documentary filmmakers James Burns and Stevie Salas, who previously worked together on The Water Walker (2020), have again turned their camera to an Indigenous environmental activist. Serving as both audience and director proxies, Haudenosaunee activist Layla Staats is the structuring force of Boil Alert; her hero’s journey is to learn about the…

By Madeleine Wall Under the neon sign, middle-aged Helen (Louise Brealey) begins her night shift at the local chicken factory. Her days are all the same, and though she takes comfort in her friends and coworkers, she is unable to leave her dreary life. She lives with her separated husband Greg, who has a much…

By Madeleine Wall With its double epigraph from Simone de Beauvoir and Diablo Cody, Molly McGlynn’s Fitting In wears its heart, and its influences, on its sleeve. As the new girl in town (somewhere in New Jersey), teenage Lindy (Maddie Ziegler) is navigating a new school, her nascent dating life, and her barely-holding-it-together single mother…

This year, the ever-industrious Saïd Ben Saïd has commissioned Catherine Breillat—for the 75-year-old director’s first film since 2013’s autobiographical Abus de faiblesse—not to specifically reimagine the story of Phaedra à la her other literary adaptations, but rather to remake May el-Toukhy’s 2019 Danish film Queen of Hearts, in which a successful lawyer has an affair with her adolescent stepson.

In Mr. Dressup: The Magic of Make-Believe, director Robert McCallum presents a profile of Coombs, his family, and the changing face of Canadian media; he outlines the life and afterlife of what is clearly more than just a TV show. 

By Madeleine Wall The young and beautiful Jagna (Kamila Urzedowska) is ripe for marriage, and every man in the village has eyes for her. Unfortunately, Jagna is only interested in the married Antek (Robert Gulaczyk), and their star-crossed romance is the kindling to Jagna’s demise. The second hand painted feature animated film by  DK and…

By Madeleine Wall A docu-fiction hybrid scripted entirely in Inuktituk, Tautuktavuk is the most recent Isuma Collective production, another stand-out in their radical practice of filmmaking. Directors Carol Kunnuk and Lucy Tulugarjuk, who are real-life cousins, play sisters Uyarak (Tulugarjuk) and Saqpinak (Kunnuk). Separated by land and lockdown, these women must cross real and virtual…

By Madeleine Wall On her trip home to the northern village of Sápmi, Lena’s (Risten Anine Kvernmo Gaup) bus nearly hits a deer. This isn’t an unusual occurrence for the Sami community, whose relationship with reindeer is fundamental to their culture, but Lena notices the reindeer’s herder, Mahtte (Nils Ailu Kemi), for the first time.…

By Madeleine Wall Splattered over the news and the internet, Poland’s migrant crisis has been making headlines for years. In response, aggressive security measures have been installed, including building a 186-kilometer steel and barbed wire wall along the Belarus border to keep them out. Navigating more than one boundary, Kasia Smutniak’s documentary Walls is a…

By Madeleine Wall Set in 1920s Littlehampton, England, Thea Sharrock’s Wicked Little Letters is a winking, ahistorical comedy. The upright and morally superior Edith Swan (Olivia Colman) has been receiving expletive laden poison pen letters. Living under the thumb of her father Edward (Timothy Spall) each one shakes the repressed household to their core. They…

By Madeleine Wall “What are you doing here?” Marian Malin (Brigitte Hobmeier) is asked by the locals, her husband, and herself. Fleeing Vienna, the prodigal child has returned to her grandparents’ farm seeking isolation—but she’s not welcome here, not because she’s a stranger, but rather because she knows too much. Unraveling as a slow-burn mystery,…

By Madeleine Wall For Chef Slowik (Ralph Fiennes), the mastermind behind Hawthorne, a prestigious farm to table restaurant located on an isolated island, revenge is a dish best served in multiple courses. He’s invited a select dozen to his restaurant, known for its inventive approach to food, molecular gastronomy at its finest, for a perfectly…

By Madeleine Wall Nazare, Portugal boasts of having the largest waves in the world. Averaging around 50 feet in height, they often end up going up to 80, with 100 as the highest ever recorded. Crowds gather along the shoreline to see these massive behemoths rise and fall, and often catch sight of small figures,…

By Madeleine Wall It’s not always a bad thing if a house is haunted. Over a long hot summer in the late ‘80s in non-specified rural Canada, Nicole (Maddy Martin) and Veronica (Jenna Warren) take over the abandoned house that used to belong to Nicole’s family. Both are keen to get away from their own…

By Madeline Wall After having to sell his successful restaurant, The Coyote, ten years ago, chef Camilo (Jorge Martinez Colorado) lives a quiet, solitary life in Montreal. The meals he cooks for his friends are beautiful, but rather than working in a kitchen, he spends his evenings as a janitor. He is trying to return…

By Madeleine Wall  Stop me if you’ve heard this one before—a woman walks into a bar at the end of the world. The woman, simply known as She (Elle-Máijá Tailfeathers) settles down into a Northern Ontario dive bar for the evening, gradually noticing the young man He (Braeden Clarke) at the jukebox. As the weather…

By Madeleine Wall Despite having arrived in Canada five years ago from Syria, Rashid (Hussam Douhna) and his wife Fahra (Amani Ibrahim) have not entirely settled in. Whatever promises a country founded in Hewers of Wood and Drawers of Water gave them, they wake up without working hot water. Thorncliffe Park, their home, is a…

By Madeleine Wall Winner of this year’s Caméra d’Or at Cannes, Antoneta Alamat Kusijanović’s Murina is a competent but slight combo of thriller and coming-of-age film basking in the sun of the Adriatic sea. Armed with a speargun and clad in a white bathing suit, 16-year-old Julija (Gracija Filipovic) cuts a striking figure in the…

By Madeleine Wall Not unlike its South-shall-rise-again predecessor from 90 years ago, Emma Tammi’s The Wind pits woman against landscape, and when confronted with what little remains of Western civilization, things begin to unravel. Tough to the point of being worn down, Elizabeth Macklin (Caitlin Gerard) first appears in the doorway of her home, covered…