CS76

Cinema Scope 76 Table of Contents

By Cinema Scope / September 28, 2018

INTERVIEWS *Teller of Tales: Mariano Llinás on La Flor by Jordan Cronk *Everything Transitory Is But an Image: Andrea Bussmann on Fausto by Josh Cabrita and Adam Cook A Banished Life: Ying Liang on A Family Tour by Clarence Tsui. *Mass Ornaments: Jodie Mack on The Grand Bizarre by Blake Williams FEATURES *Tous les garçons…

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Global Discoveries on DVD: Auteurist Updates

By Jonathan Rosenbaum / September 28, 2018

By Jonathan Rosenbaum Paul Verhoeven gives exceptionally good audio commentary, especially on the Kino Lorber Blu-ray of Spetters (1980), a powerful feature about teenage motocross racers in a small Dutch town that I’ve just seen for the first time. Speaking in English, Verhoeven tells us a good deal about Dutch culture and life at the…

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Issue 76 Editor’s Note

By Mark Peranson / September 28, 2018

By Mark Peranson.  The night that Mariano Llinás arrived in Locarno, I ran into him drinking with his producer Laura Citarella and a few friends, occupying a few tables in a streetside café. Soon after I joined them, I asked Llinás the most pressing question in my mind about his 14-hour La Flor: “What’s the…

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Teller of Tales: Mariano Llinás on La Flor

By Jordan Cronk / September 28, 2018

By Jordan Cronk “Some will say I reinvented the wheel. Yes, I’d say, I reinvented the wheel.”—La Flor, Episode 4 To begin, a question: What exactly is La Flor? It’s a pertinent query, albeit one with no easy answer, so let’s break it down. The first thing to know about La Flor is that, yes,…

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Mass Ornaments: Jodie Mack on The Grand Bizarre

By Blake Williams / September 28, 2018

By Blake Williams “For the passionate spectator, it is an immense joy to set up house in the heart of the multitude, amid the ebb and flow of movement, in the midst of the fugitive and the infinite. To be away from home and yet to feel oneself everywhere at home.”—“The Painter of Modern Life,”…

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Tous les garçons et les filles: Philippe Lesage’s Genèse and Les démons

By Adam Nayman / September 28, 2018

By Adam Nayman On the basis of Les démons (2015) and his latest film Genèse—I haven’t caught up yet with Copenhague, a Love Story (2016) or his documentaries—Saint-Apagit-born writer-director Philippe Lesage is already one of the strongest stylists in Canadian cinema, cultivating, in collaboration with the gifted cinematographer Nicolas Canniccioni, a distanced, gliding camera style…

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Touch Me I’m Sick: Alex Ross Perry’s Her Smell

By Jason Anderson / September 28, 2018

By Jason Anderson The phony magazine cover glimpsed in the early moments of Her Smell may not have the same heady metatextual allure as that of so many journals invented out of whole cloth and newsprint for narrative purposes, like the must-read issues of Dorgon and Kill Weekly on the newsstands in Blade Runner (1982)…

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First Person Plural: On Orson Welles’ The Other Side of the Wind

By Phil Coldiron / September 28, 2018

By Phil Coldiron “May he not be knave, fool, and genius altogether?” —Herman Melville, The Confidence-Man: His Masquerade It begins with a death, of course, the first of the many quotations, slips, and rhymes coursing through The Other Side of the Wind, now finally arrived, more than 50 years after word of its conception first…

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Deaths of Cinema | The Cracks of the World: Hu Bo (1988-2017)

By Celluloid Liberation Front / September 28, 2018

By Celluloid Liberation Front China’s growing economic clout and rising prominence in world affairs can help illuminate some essential if unflattering traits of the business we call show. Not even a decade ago, any mention of China was usually made in relation to the draconian censorship filmmakers there had to face, often at the expense…

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Transit (Christian Petzold, Germany/France)

By James Lattimer / September 28, 2018

By James Lattimer Christian Petzold’s progressive drift away from realism gathers pace in Transit, another melodrama of impossibility and despair that unfolds in a hyper-constructed amalgam of past and present as unstable as it is seamless. Yet the deliberately unresolved tension between ’40s Marseille and today is hardly the only element of slippage in the…

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Exploded View | Robert Smithson’s Spiral Jetty

By Chuck Stephens / September 28, 2018

Though not primarily known as a filmmaker, the great earthworks artist Robert Smithson (1938-1973) had cinematic inclinations, implicit and explicit.

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The Load (Ognjen Glavonic, Serbia/France/Croatia/Iran/Qatar)

By Azadeh Jafari / September 28, 2018

By Azadeh Jafari The debut fiction feature by Ognjen Glavonic is the second time that the Serbian writer-director, who lived through the Yugoslav wars as a child, has explored the same shocking incident from the time of the Kosovo conflict. In his feature-length documentary Depth Two (2016), he mixed spoken testimonies from those involved with…

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Everything Transitory Is But an Image: Andrea Bussmann on Fausto

By Adam Cook / September 26, 2018

By Josh Cabrita and Adam Cook “Most people want to be kings and queens, but not enough want to be Faust.” —Jean-Luc Godard, Le livre d’image When Goethe wrote his Faust, adapting the German legend about a scholar who makes a pact with the Devil to attain total knowledge, could he have foreseen how incisive…

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