cinema-scope-issue-62This is the complete list of articles from the print magazine issue of Cinema Scope #62. We post selected articles from each issue on the site. For the complete content please subscribe to the magazine, or consider the instant digital download version. Articles available free online are linked below.


INTERVIEWS

The-Forbidden-Room-Guy-Maddin

Lost in the Funhouse: A Conversation with Guy Maddin and Evan Johnson on The Forbidden Room and Other Stories by Mark Peranson

In the Bedroom: Rodney Ascher’s The Nightmare by Adam Nayman

Circumnavigating Cinema: Kidlat Tahimik’s Balikbayan #1 Memories of Overdevelopment Redux III by Adam Cook and Daniel Kasman

FEATURES

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A Perfect Game: Kevin Jerome Everson’s Park Lanes by Michael Sicinski

Blackhat, White Noise: Michael Mann’s System of Objects by Andrew Tracy

That Sinking Feeling: Seeing Things in Don’t Look Now by José Teodoro

Blind, With a Gun: The Irrepressible Anarchy of Jean-Patrick Manchette by Christoph Huber

Time Regained: The Cinema of Nils Malmros by Jordan Cronk

Dancing on the Edge: Derek Jarman’s Will You Dance With Me? by Max Nelson

Of Time and the River: Mapping the Cinema of Luo Li by Shelly Kraicer

The Funniest Joke in the World: On Rick Alverson’s Entertainment by Phil Coldiron

FESTIVALS

Sundance by Blake Williams

COLUMNS

adieu au langage

Editor’s Note: Top Ten Films of 2014

Film/Art: Les Photos d’Alix (Cléo Roubaud) by Andréa Picard

Global Discoveries on DVD by Jonathan Rosenbaum

DVD Bonus: Sauve qui peut (la vie) by Jerry White

Books: Criterion Designs by Sean Rogers

Exploded View: Kenneth Anger’s Puce Moment by Chuck Stephens

CURRENCY

it follows

It Follows by Jason Anderson

White God by Samuel La France

Wild Tales by Quintín

WEB EXTRA

Timbuktu by Angelo Muredda

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From the Magazine

  • Cinema Scope 80 Table of Contents

    Interviews  No God But the Unknown Pietro Marcello and Maurizio Braucci on Martin Eden by Jordan Cronk I See a Darkness: Pedro Costa on Vitalina More →

  • No God But the Unknown: Pietro Marcello and Maurizio Braucci on Martin Eden

    By Jordan Cronk “Of course it was beautiful; but there was something more than beauty in it, something more stingingly splendid which had made beauty More →

  • I See a Darkness: Pedro Costa on Vitalina Varela

    A moving study of mourning and memory, Pedro Costa’s revelatory new film offers an indelible portrait of Vitalina Taveres Varela, a fragile yet indomitable woman who makes the long voyage from Cape Verde to Lisbon to attend her estranged husband’s funeral, but misses the event itself because of cruel bureaucratic delays. More →

  • Woman on the Verge of a Nervous Breakdown: Kazik Radwanski’s Anne at 13,000 ft

    The prospect of spending an hour and a half with people lacking in notable virtue, alluring vice, or any apparent interest, may seem like an unproductive exercise in forced empathy—but consider this skepticism a function, as opposed to a fault, of these tightly orchestrated, seemingly soporific character studies. More →

  • For a Cinema of Bombardment

    Although there have always been intrepid critics and cinephiles who have engaged with films belonging to the non-narrative avant-garde, there has existed a perception that such films, operating as they do on somewhat different aesthetic precepts, could be considered a separate cinematic realm, one that even the most dutiful critic could engage with or not, as he or she saw fit. More →