INTERVIEWS

*The Act of Living: GianfrancThe Act of Living: Gianfranco Rosi on Notturnoo Rosi on Notturno
By Mark Peranson

*Reconstructing Violence: Nicolás Pereda on Fauna
By Jordan Cronk

FEATURES

*A Pierce of the Action: On Claudine and Uptight
By Andrew Tracy

*I Lost It at the Movies: Charlie Kaufman’s Antkind and I’m Thinking of Ending Things
By Adam Nayman

*Open Ticket: The Long, Strange Trip of Ulrike Ottinger
By Michael Sicinski

Movies for Robots: Isiah Medina’s Inventing the Future
By Phil Coldiron

Moving Toward and Away from Horror: 100 Years of Olympic Films, 1912–2012
By Linda C. Ehrlich

*The Home and the World: Three Films by Ruchir Joshi 
By Jesse Cumming

Paulo Rocha’s Signs of Life
By Robert Koehler

*Chums at Midnight: On Hopper/Welles
By Alex Ross Perry

COLUMNS

*Editor’s Note

*Books | Molto Bene: The Life and Deeds of a Selfless Egomaniac
By Celluloid Liberation Front

Film/Art | Kurt Schwitters’ Ursonate
By Shelly Kraicer

TV or Not TV | Judged and Found Wanting: How Silicon Valley Continued Mike Judge’s Satirical Anthropology
By Christoph Huber

DVD Bonus |Francis Savel’s Équation à un inconnu
By Lawrence Garcia

*Global Discoveries on DVD | Presumptions & Biases
By Jonathan Rosenbaum

*Exploded View | Chick Strand’s Artificial Paradise
By Chuck Stephens

CURRENCY

*The Inheritance
By James Lattimer

Tenet
By Angelo Muredda

*Possessor
By Mallory Andrews

Bloody Nose, Empty Pockets
By Brendan Boyle

First Cow
By Josh Cabrita

WEB EXTRA

*Festivals | Fantasia 2020: Unexpected Pleasures
By Katherine Connell

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From the Magazine

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    When navigating the as-yet-unknown films of a festival program, nationality still provides a persuasive point of reference for some, a feeling underlined by the proud declarations issued by national funding organizations, promotional bodies, or particularly partisan members of the press once titles have been announced. This year’s reduced Berlinale Forum lineup also invites tenuous lines of this kind to be drawn (two films from Argentina, two films from Canada!), although the three Franco-German co-productions shot elsewhere say far more about how films are made in 2021. More →