This is the complete list of articles from the print magazine issue of Cinema Scope #63. We post selected articles from each issue on the site. For the complete content please subscribe to the magazine, or consider the instant digital download version. Articles available free online are linked below.


Features

guzman

In Dreams Begin Responsibilities: The Films of Patricio Guzmán by Max Nelson

Wild Things: The Strange Cinema of Jack Garfein by Kate Rennebohm

The Movie Chaser: Charles Willeford on Film by Sean Rogers

Joyce Wieland: Word of Mouth by Samuel La France

Implications of a Totality: Frames for the Films of Joseph Bernard by Phil Coldiron

Interviews

Cock and Bull Stories: Miguel Gomes on Arabian Nights by Mark Peranson

Digging for History: Corneliu Porumboiu on The Treasure by Adam Cook

Strip Tease: Peter Tscherkassky and The Exquisite Corpus by Daniel Kasman

Spotlight: Cannes

Cemetery-of-Splendour

Cannes 2015: My God, It’s Full of Stars! by Mark Peranson

Italians Abroad: Youth, Mia Madre, Tale of Tales, The Other Side by Celluloid Liberation Front

The Assassin by Jordan Cronk

Son of Saul by Richard Porton

Cemetery of Splendour by Kong Rithdee

Sleeping Giant by Jason Anderson

Love by Blake Williams

Columns

canada top ten atanarjuat

Editor’s Note

Canadiana: Canada’s All-Time Top Ten by Adam Nayman

Deaths of Cinema: Manoel de Oliveira by Michael Sicinski

Film/Art: Marcel Broodthaers and Albert Serra by Andréa Picard

Global Discoveries on DVD by Jonathan Rosenbaum

Exploded View: Gregory Markopoulos by Chuck Stephens

Currency

mad max

Mad Max: Fury Road by Christoph Huber

Eden by Angelo Muredda

Poet on a Business Trip by Tony Rayns

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From the Magazine

  • Cinema Scope 80 Table of Contents

    Interviews  No God But the Unknown Pietro Marcello and Maurizio Braucci on Martin Eden by Jordan Cronk I See a Darkness: Pedro Costa on Vitalina More →

  • No God But the Unknown: Pietro Marcello and Maurizio Braucci on Martin Eden

    By Jordan Cronk “Of course it was beautiful; but there was something more than beauty in it, something more stingingly splendid which had made beauty More →

  • I See a Darkness: Pedro Costa on Vitalina Varela

    A moving study of mourning and memory, Pedro Costa’s revelatory new film offers an indelible portrait of Vitalina Taveres Varela, a fragile yet indomitable woman who makes the long voyage from Cape Verde to Lisbon to attend her estranged husband’s funeral, but misses the event itself because of cruel bureaucratic delays. More →

  • Woman on the Verge of a Nervous Breakdown: Kazik Radwanski’s Anne at 13,000 ft

    The prospect of spending an hour and a half with people lacking in notable virtue, alluring vice, or any apparent interest, may seem like an unproductive exercise in forced empathy—but consider this skepticism a function, as opposed to a fault, of these tightly orchestrated, seemingly soporific character studies. More →

  • For a Cinema of Bombardment

    Although there have always been intrepid critics and cinephiles who have engaged with films belonging to the non-narrative avant-garde, there has existed a perception that such films, operating as they do on somewhat different aesthetic precepts, could be considered a separate cinematic realm, one that even the most dutiful critic could engage with or not, as he or she saw fit. More →