This is the complete list of articles from the print magazine issue of Cinema Scope #63. We post selected articles from each issue on the site. For the complete content please subscribe to the magazine, or consider the instant digital download version. Articles available free online are linked below.


Features

guzman

In Dreams Begin Responsibilities: The Films of Patricio Guzmán by Max Nelson

Wild Things: The Strange Cinema of Jack Garfein by Kate Rennebohm

The Movie Chaser: Charles Willeford on Film by Sean Rogers

Joyce Wieland: Word of Mouth by Samuel La France

Implications of a Totality: Frames for the Films of Joseph Bernard by Phil Coldiron

Interviews

Cock and Bull Stories: Miguel Gomes on Arabian Nights by Mark Peranson

Digging for History: Corneliu Porumboiu on The Treasure by Adam Cook

Strip Tease: Peter Tscherkassky and The Exquisite Corpus by Daniel Kasman

Spotlight: Cannes

Cemetery-of-Splendour

Cannes 2015: My God, It’s Full of Stars! by Mark Peranson

Italians Abroad: Youth, Mia Madre, Tale of Tales, The Other Side by Celluloid Liberation Front

The Assassin by Jordan Cronk

Son of Saul by Richard Porton

Cemetery of Splendour by Kong Rithdee

Sleeping Giant by Jason Anderson

Love by Blake Williams

Columns

canada top ten atanarjuat

Editor’s Note

Canadiana: Canada’s All-Time Top Ten by Adam Nayman

Deaths of Cinema: Manoel de Oliveira by Michael Sicinski

Film/Art: Marcel Broodthaers and Albert Serra by Andréa Picard

Global Discoveries on DVD by Jonathan Rosenbaum

Exploded View: Gregory Markopoulos by Chuck Stephens

Currency

mad max

Mad Max: Fury Road by Christoph Huber

Eden by Angelo Muredda

Poet on a Business Trip by Tony Rayns

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From the Magazine

  • Issue 84 Table of Contents

    INTERVIEWS *The Act of Living: GianfrancThe Act of Living: Gianfranco Rosi on Notturnoo Rosi on Notturno By Mark Peranson*Reconstructing Violence: Nicolás Pereda on Fauna By More →

  • The Act of Living: Gianfranco Rosi on Notturno

    “The night scares me so much,” confesses a courageous Yazidi pre-teen girl to a therapist, remembering the period when she and her younger sister were captured by ISIS. Anyone who was seen crying would be killed, they were told; it turned out to be a vacant threat, but the sisters were still beaten, and now they are attempting to exorcise their memories by drawing pictures of them. Does it help? We never find out. More →

  • Reconstructing Violence: Nicolás Pereda on Fauna

    There’s a point in nearly every Nicolás Pereda film when the narrative is either reoriented or upended in some way. In the past this has occurred through bifurcations in story structure or via ruptures along a given film’s docufiction fault line. Pereda’s ninth feature, Fauna, extends this tradition, though its means of execution and conceptual ramifications represent something new for the 38-year-old Mexican-Canadian filmmaker. More →

  • I Lost It at the Movies: Charlie Kaufman’s Antkind and I’m Thinking of Ending Things

    “It’s all planned, but it isn’t thought out,” wrote Pauline Kael in her review of A Woman Under the Influence (1974), a nifty bit of critical jiu-jitsu turning John Cassavetes’ much-theorized—and, during Kael’s reign at The New Yorker, much-derided—technique of spontaneous improvisation within a dramatic framework against him. More →

  • Open Ticket: The Long, Strange Trip of Ulrike Ottinger

    One of the most surprising things about Ulrike Ottinger’s new documentary Paris Calligrammes is how accessible it is. Some cinephiles may be familiar with Ottinger based on an 11-year period of mostly fictional productions that were adjacent to the New German Cinema but, for various reasons, were never entirely subsumed within that rubric. Others are quite possibly more aware of her later work in documentary, in particular her commitment to a radical form of experimental ethnographic cinema. More →