Cinema Scope Issue 89 | Table of Contents

Interviews

Show Biz Kids: Paul Thomas Anderson’s Licorice Pizza by Adam Nayman 

What Lies Beyond: Michelangelo Frammartino on Il buco by Jordan Cronk

Features

Higher Power: Paul Verhoeven’s Benedetta and the Legacy of Nunsploitation by Christoph Huber

Too Good at Goodbyes: The Souvenir Part II and Joanna Hogg’s Cinema of Memory by Katherine Connell

The Flower and the Braided Rope: Jane Campion’s The Power of the Dog by Michael Sicinski

The Other Half Is You: Iván Zulueta’s Arrebato and Anrdzej Zulawski’s Possession by Madeleine Wall

Looking for Trouble: Interventionist Documentaries and the Practice of Conflict by Mads K. Mikkelsen

In a Year of Six Kostrovs by Christopher Small

Grace Notes and Ghosts: Jan Troell’s The Emigrants and The New Land by Arjun Sajip

Spotlight: Fall Festival Highlights

Benediction by Josh Cabrita

Earwig by Angelo Muredda

Espíritu sagrado by Gonzalo de Pedro Amatria

El Gran Movimiento by Jay Kuehner

A Night of Knowing Nothing by Erika Balsom

Outside Noise by Lawrence Garcia

Columns

Editor’s Note

Deaths of Cinema – The Space Between: The Films of Borhane Alaouié. By Jesse Cumming

Canadiana | The Gift of Charity: Faraz Anoushapour, Parastoo Anoushapour, and Ryan Ferko’s Charity and Surface Rites by Cayley James

Film/Art | Musique concrete: Lucy Raven at Dia by Phil Coldiron

Global Discoveries on DVD by Jonathan Rosenbaum

Exploded View | Ken Jacobs’ Blonde Cobra by Chuck Stephens

Currency

The Tragedy of Macbeth by Robert Koehler

The Worst Person in the World by Beatrice Loayza

The Velvet Underground by Jason Anderson

Cry Macho by Will Sloan

Web Extra

Deaths of Cinema | Felipe Cazals by Steve Macfarlane

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