Issue 56 Table of Contents

This is the complete list of articles from magazine issue of Cinema Scope issue 56. We post a few selected articles from each issue on the site. For the complete content, and to help Cinema Scope continue, please subscribe to the magazine, or consider the instant digital download version.

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Fall Festival Preview



The Beauty of Horror and the Horror of Beauty: An Encounter with Albert Serra, by Mark Peranson

A Parade of Images Speaking for Themselves: Blutch’s So Long, Silver Screen, by Sean Rogers

Shine a Light: Ben Rivers and Ben Russell’s A Spell to Ward Off the Darkness, by Michael Sicinski



A Truck Full of Turkeys: Thoughts on Joaquim Pinto’s What Now? Remind Me, by Francisco Ferreira

Killed the Family and Went to the Movies: The Sentimental Education of Júlio Bressane, by Celluloid Liberation Front

A Liar’s Autobiography: The Return of Alejandro Jodorowsky, by Quintín

Sunny Pleasure Domes with Caves of Ice: Politics and the Asian Blockbuster, by Tony Rayns

Women Under the Influence: Hong Sangsoo’s Nobody’s Daughter Haewon and Our Sunhi, by Jordan Cronk

Master Shots: Tsai Ming-liang’s Late Digital Period, by Blake Williams

Pilgrim’s Progress: Manakamana, by Jay Kuehner

Black, White, and Giallo: Forzani and Cattet’s The Strange Colour of Your Body’s Tears, by Jason Anderson

Athens Decathlon: TIFF 2013 City to City, by Adam Nayman

Temps mort: Jim Jarmusch’s Only Lovers Left Alive, by Andrew Tracy

The Man Who Left His Notes on Film: Norbert Pfaffenbichler, by Christoph Huber

The End of Cinema: La última película, by Phil Coldiron


Film/Art: Camille Henrot, by Andréa Picard

Spare Change: Harry Tomicek, by Olaf Möller

Global Discoveries on DVD, by Jonathan Rosenbaum

Exploded View: Will Hindle, by Chuck Stephens

Web Only

This Is Martin Bonner, by Calum Marsh