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This is the complete list of articles from magazine issue of Cinema Scope #57. We post selected articles from each issue on the site. For the complete content please subscribe to the magazine, or consider the instant digital download version.


INTERVIEWS

Architecture of Desire: Joanna Hogg’s Exhibition by Paul Dallas

Time and Space: Moments with Lois Patiño by Aaron Cutler

A Hand in the Eye Reaching Out into Space: Robert Beavers on Listening to the Space in My Room by Aliza Ma

FEATURES

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Flicker Flicker Flicker Blam Pow Pow: Five Films by Jodie Mack by Phil Coldiron

An Internal Memo: Gianfranco Rosi’s Sacro GRA by Michael Sicinski

Seeing Through the Past, Again: David Rimmer’s Found-Footage Films by Samuel La France

The Great Depression: Jerry Lewis’ Last Movies by Christoph Huber

The Passage of the Idea: Alain Badiou’s Cinema by Sean Rogers

COLUMNS

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Editor’s Note by Mark Peranson

Deaths of Cinema: Stanley Kauffmann by Andrew Tracy

Global Discoveries on DVD by Jonathan Rosenbaum

Film/Art: Mati Diop by Andréa Picard

Exploded View: Curtis Harrington by Chuck Stephens

SPOTLIGHT: FALL FESTIVAL HIGHLIGHTS

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Hard to Be a God by Olaf Möller

Ida by Jerry White

La jalousie by Blake Williams

Mouton by Jay Kuehner

Redemption by Max Nelson

Rhymes for Young Ghouls by Adam Cook

We Are the Best! by Jason Anderson

The Wind Rises by Jordan Cronk

Why Don’t You Play in Hell? by Calum Marsh

CURRENCY

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Inside Llewyn Davis by Adam Nayman

12 Years a Slave by Julian Carrington

Tom à la ferme by Angelo Muredda

At Berkeley by Max Goldberg

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From the Magazine

  • Cinema Scope 80 Table of Contents

    Interviews  No God But the Unknown Pietro Marcello and Maurizio Braucci on Martin Eden by Jordan Cronk I See a Darkness: Pedro Costa on Vitalina More →

  • No God But the Unknown: Pietro Marcello and Maurizio Braucci on Martin Eden

    By Jordan Cronk “Of course it was beautiful; but there was something more than beauty in it, something more stingingly splendid which had made beauty More →

  • I See a Darkness: Pedro Costa on Vitalina Varela

    A moving study of mourning and memory, Pedro Costa’s revelatory new film offers an indelible portrait of Vitalina Taveres Varela, a fragile yet indomitable woman who makes the long voyage from Cape Verde to Lisbon to attend her estranged husband’s funeral, but misses the event itself because of cruel bureaucratic delays. More →

  • Woman on the Verge of a Nervous Breakdown: Kazik Radwanski’s Anne at 13,000 ft

    The prospect of spending an hour and a half with people lacking in notable virtue, alluring vice, or any apparent interest, may seem like an unproductive exercise in forced empathy—but consider this skepticism a function, as opposed to a fault, of these tightly orchestrated, seemingly soporific character studies. More →

  • For a Cinema of Bombardment

    Although there have always been intrepid critics and cinephiles who have engaged with films belonging to the non-narrative avant-garde, there has existed a perception that such films, operating as they do on somewhat different aesthetic precepts, could be considered a separate cinematic realm, one that even the most dutiful critic could engage with or not, as he or she saw fit. More →