FEATURES The Play for Tomorrow: Steve McQueen’s Small Axe by Michael Sicinski The Crowd is Dead, Long Live the Crowd! by
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Interviews
- The Act of Living: Gianfranco Rosi on Notturno
- Reconstructing Violence: Nicolás Pereda on Fauna
- The Land Demands Your Effort: C.W Winter (and Anders Edström) on The Works and Days (of Tayoko Shiojiri in the Shiotani Basin)
- DAU. Diary & Dialogue. Part One: A Living World
- The Math of Love Triangles: Athina Rachel Tsangari’s Trigonometry
From the Magazine
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Cinema Scope Issue 85 Table of Contents
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The Play for Tomorrow: Steve McQueen’s Small Axe
By Michael Sicinski One of the best known of Steve McQueen’s early video works is Deadpan (1997), a four-minute, 35-second
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The Crowd Is Dead, Long Live the Crowd!
Les misérables By Erika Balsom for RMC 1. It was a total coincidence and yet it felt freighted with meaning:
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All the Fountains of the Great Deep: Artavazd Pelechian’s La Nature
By Phil Coldiron Artists who write clearly about their work run a serious risk: that they will be taken at
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Minority Report: Armond White Wants to Make Spielberg Great Again
By Adam Nayman The “About the Author” section of Armond White’s new critical anthology does not disappoint. In the space
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Cinema Scope Issue 85 Table of Contents