Cinema Scope | Kelley Dong

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Kelley Dong

Float Like a Butterfly (Carmel Winters, Ireland) — Discovery

By Kelley Dong In Cinema Scope Online, TIFF 2018

Heartbound (Janus Metz & Sine Plambech, Denmark/Netherlands/ Sweden) — TIFF Docs

By Kelley Dong In Cinema Scope Online, TIFF 2018

Stupid Young Heart (Selma Vilhunen, Finland/ Netherlands/Sweden) — Contemporary World Cinema

By Kelley Dong In Cinema Scope Online, TIFF 2018

Too Late to Die Young (Dominga Sotomayor, Chile/Brazil/Argentina/ Netherlands/Qatar) — Discovery

By Kelley Dong In Cinema Scope Online, TIFF 2018

Transgressions in the Dark Age: The Films of Kim Ki-young and Lee Hwa-si

By Kelley Dong In CS75, Features, From The Magazine

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From the Magazine
- Cinema Scope Issue 85 Table of Contents
  
  FEATURES The Play for Tomorrow: Steve McQueen’s Small Axe by Michael Sicinski The Crowd is Dead, Long Live the Crowd! by
- The Play for Tomorrow: Steve McQueen’s Small Axe
  
  By Michael Sicinski One of the best known of Steve McQueen’s early video works is Deadpan (1997), a four-minute, 35-second
- The Crowd Is Dead, Long Live the Crowd!
  
  Les misérables By Erika Balsom for RMC 1. It was a total coincidence and yet it felt freighted with meaning:
- All the Fountains of the Great Deep: Artavazd Pelechian’s La Nature
  
  By Phil Coldiron Artists who write clearly about their work run a serious risk: that they will be taken at
- Minority Report: Armond White Wants to Make Spielberg Great Again
  
  By Adam Nayman The “About the Author” section of Armond White’s new critical anthology does not disappoint. In the space

Cinema Scope Issue 85 Table of Contents

FEATURES The Play for Tomorrow: Steve McQueen’s Small Axe by Michael Sicinski The Crowd is Dead, Long Live the Crowd! by Erika Balsom All the Fountains More →
The Play for Tomorrow: Steve McQueen’s Small Axe

By Michael Sicinski One of the best known of Steve McQueen’s early video works is Deadpan (1997), a four-minute, 35-second loop in which the artist More →
The Crowd Is Dead, Long Live the Crowd!

Les misérables By Erika Balsom for RMC 1. It was a total coincidence and yet it felt freighted with meaning: when I returned to the More →
All the Fountains of the Great Deep: Artavazd Pelechian’s La Nature

By Phil Coldiron Artists who write clearly about their work run a serious risk: that they will be taken at their word. In much of More →
Minority Report: Armond White Wants to Make Spielberg Great Again

By Adam Nayman The “About the Author” section of Armond White’s new critical anthology does not disappoint. In the space of four short paragraphs, White More →