Cinema Scope 79 Table of Contents By Cinema Scope In CS79, From The Magazine, Table of Contents More →
Jeanne (Bruno Dumont, France) By Blake Williams In CS79, Festivals, From The Magazine, Spotlight More →
Exploded View | Flaubert Dreams of Travel But the Illness of His Mother Prevents It By Chuck Stephens In Columns, CS79, Exploded View, From The Magazine More →
The Hottest August (Brett Story, Canada/US) By Adam Nayman In CS79, Currency, From The Magazine More →
Global Discoveries on DVD: Extras and Streaming, Now, Then, and There By Jonathan Rosenbaum In Columns, CS79, DVD Reviews, From The Magazine More →
Film/Art | Curses and Blessings: Moving Images at the 58th Venice Biennale By Erika Balsom In Columns, CS79, Film - Art, From The Magazine More →
Truth and Method: The Films of Thomas Heise By Michael Sicinski In CS79, Features, From The Magazine More →
Parasite (Bong Joon Ho, South Korea) By Adam Cook In CS79, Festivals, From The Magazine, Spotlight More →
Thinking in Images: Scott Walker and Cinema By Christoph Huber In CS79, Features, From The Magazine More →
Cinema Scope 78 Table of Contents By Cinema Scope In CS78, From The Magazine, Table of Contents More →
The Exorcist: Barbara Loden and Wanda By Courtney Duckworth In CS78, Features, From The Magazine More →
Audrey II: Sofia Bohdanowicz and Deragh Campbell’s MS Slavic 7 By Adam Nayman In CS78, Features, From The Magazine, Interviews More →
Screenlife’s What You Make It: Thoughts on Searching, Profile, Unfriended: Dark Web, and Cam By Jason Anderson In CS78, Features, From The Magazine More →
You Can’t Own an Idea: The Films of James N. Kienitz Wilkins By Dan Sullivan In CS78, Features, From The Magazine More →
Film/Art | Manhattan Style: Andy Warhol’s Empire By Phil Coldiron In Columns, CS78, Film - Art, From The Magazine More →
Deaths of Cinema | Missives from the End of the World: Jocelyne Saab (1948–2019) By Celluloid Liberation Front In Columns, CS78, Deaths of Cinema, From The Magazine More →
Festivals: Rotterdam | Anchors Aweigh: Zhu Shengze’s Present.Perfect. By Jesse Cumming In Columns, CS78, Festivals, From The Magazine More →
Exploded View: Makino Takashi’s Ghost of OT301 By Chuck Stephens In Columns, CS78, Exploded View, From The Magazine More →
Global Discoveries on DVD: Flukes & Flakes By Jonathan Rosenbaum In Columns, CS78, DVD Reviews, From The Magazine More →
Répertoire des villes disparues (Denis Côté, Canada) By Josh Cabrita In CS78, Currency, From The Magazine More →
To Thine Own Self Be True: Angela Schanelec on I Was at Home, But… By Giovanni Marchini Camia In CS78, Features, From The Magazine, Interviews More →
Cinema Scope 77 Table of Contents By Cinema Scope In CS77, From The Magazine, Table of Contents More →
Festivals | Doclisboa 2018: A Scream into the Void By Christopher Small In CS77, Festivals, Web Only More →
Global Discoveries on DVD: Some Blessings and Curses of Cinephilia By Jonathan Rosenbaum In Columns, CS77, DVD Reviews, From The Magazine More →
Our Time (Carlos Reygadas, Mexico/France/Germany/Denmark/Sweden) By Blake Williams In CS77, Fall Festival Highlights, From The Magazine, Spotlight More →
A Land Imagined (Yeo Siew Hua, Singapore/France/Netherlands) By Lawrence Garcia In CS77, Fall Festival Highlights, Festivals, From The Magazine, Spotlight More →
Ghost Operas: Music from the Films of Bertrand Bonello By Sean Rogers In CS77, Features, From The Magazine, Interviews More →
Soft and Hard: Claire Denis on High Life By Adam Nayman In CS77, Features, From The Magazine, Interviews More →
Encore: Dora García’s Segunda vez By Michael Sicinski In CS77, Features, From The Magazine, Interviews More →
The Land of the Unknown: Roberto Minervini on What You Gonna Do When the World’s on Fire? By Jordan Cronk In CS77, Features, From The Magazine, Interviews More →
Nervous Translation (Shireen Seno, Philippines) By Erika Balsom In CS77, Fall Festival Highlights, From The Magazine, Spotlight More →
The Man from Left Field: Burt Reynolds, Neglected Filmmaker By Christoph Huber In Columns, CS77, Deaths of Cinema, From The Magazine More →
Against Oblivion: Richard Billingham’s RAY & LIZ and Yervant Gianikian & Angela Ricci Lucchi’s I diari di Angela—Noi due cineasti By Andrea Picard In Columns, CS77, From The Magazine More →
Exploded View: Ken Jacobs’ Nervous Magic Lantern By Chuck Stephens In Columns, CS77, Exploded View, From The Magazine More →
The Favourite (Yorgos Lanthimos, Ireland/US/UK) By Courtney Duckworth In CS77, Currency, From The Magazine More →
Cinema Scope 76 Table of Contents By Cinema Scope In CS76, From The Magazine, Table of Contents More →
Global Discoveries on DVD: Auteurist Updates By Jonathan Rosenbaum In Columns, CS76, DVD Reviews, From The Magazine More →
Teller of Tales: Mariano Llinás on La Flor By Jordan Cronk In CS76, From The Magazine, Interviews More →
Mass Ornaments: Jodie Mack on The Grand Bizarre By Blake Williams In CS76, From The Magazine, Interviews More →
Tous les garçons et les filles: Philippe Lesage’s Genèse and Les démons By Adam Nayman In CS76, Features, From The Magazine More →
Touch Me I’m Sick: Alex Ross Perry’s Her Smell By Jason Anderson In CS76, Features, From The Magazine More →
First Person Plural: On Orson Welles’ The Other Side of the Wind By Phil Coldiron In CS76, Features, From The Magazine More →
Deaths of Cinema | The Cracks of the World: Hu Bo (1988-2017) By Celluloid Liberation Front In Columns, CS76, Deaths of Cinema, From The Magazine More →
Transit (Christian Petzold, Germany/France) By James Lattimer In CS76, Currency, From The Magazine More →
Exploded View | Robert Smithson’s Spiral Jetty By Chuck Stephens In Columns, CS76, Exploded View, From The Magazine More →
The Load (Ognjen Glavonic, Serbia/France/Croatia/Iran/Qatar) By Azadeh Jafari In CS76, Currency, From The Magazine More →
Everything Transitory Is But an Image: Andrea Bussmann on Fausto By Adam Cook In CS76, From The Magazine, Interviews More →
Shoplifters (Kore-eda Hirokazu, Japan) By Mallory Andrews In CS75, Festivals, From The Magazine, Spotlight More →
Cannes 2018: The Debussy Cramp By Mark Peranson In CS75, Festivals, From The Magazine, Spotlight More →
I Like America and America Likes Me: An Interview with Lars von Trier By Mark Peranson In CS75, From The Magazine, Interviews More →
Deaths of Cinema | Merci pour tout: Pierre Rissient (1936-2018) By Scott Foundas In Columns, CS75, From The Magazine More →
Ash Is Purest White (Jia Zhangke, China/France/Japan) By James Lattimer In CS75, Festivals, From The Magazine, Spotlight More →
Happy as Lazzaro (Alice Rohrwacher, Italy/Switzerland/France/Germany) By Celluloid Liberation Front In CS75, Festivals, From The Magazine, Spotlight More →
Exploded View: Harry Dodge and Stanya Kahn’s Whacker By Chuck Stephens In Columns, CS75, Exploded View, From The Magazine More →
Global Discoveries on DVD: First Looks, Second Thoughts By Jonathan Rosenbaum In Columns, CS75, DVD Reviews, From The Magazine More →
Apt Pupil: Bi Gan on Long Day’s Journey Into Night By Blake Williams In CS75, From The Magazine, Interviews More →
Transgressions in the Dark Age: The Films of Kim Ki-young and Lee Hwa-si By Kelley Dong In CS75, Features, From The Magazine More →
The Work (Jairus McLeary & Gethin Aldous, US) By Manuela Lazic In CS74, Currency, From The Magazine More →
Visages villages (Agnès Varda & JR, France) By Erika Balsom In CS74, Currency, From The Magazine More →
Exploded View: Bruce Conner’s Crossroads By Chuck Stephens In Columns, CS74, Exploded View, From The Magazine More →
Canadiana | Hometown Horror: Robin Aubert’s Les affamés By Lydia Ogwang In Canadiana, Columns, CS74, From The Magazine More →
Global Discoveries on DVD: A Few Peripheral Matters By Jonathan Rosenbaum In Columns, CS74, DVD Reviews, From The Magazine More →
TV or Not TV | Chronicles of Deaths Forestalled: The Leftovers By Kate Rennebohm In Columns, CS74, From The Magazine, TV More →
Issue 74 Editors Note: The Cinema Scope Top Ten of 2017 By Mark Peranson In Columns, CS74, From The Magazine, Top Ten More →
Do It Again: On Ricky D’Ambrose’s Words and Images By Phil Coldiron In CS74, Features, From The Magazine More →
The Changing View of Man in the Portrait: Errol Morris’ Wormwood By Lawrence Garcia In CS74, Features, From The Magazine More →
“You Never Heard of Code-Switching, Motherfucker?”: Joseph Kahn’s Bodied By Steven Shaviro In CS74, Features, From The Magazine More →
Paul Schrader: Deliberate Boredom in the Church of Cinema By Alex Ross Perry In CS74, From The Magazine, Interviews More →
Sightsurf and Brainwave: Blake Williams’ PROTOTYPE By Michael Sicinski In CS73, From The Magazine, Interviews More →
Giving Credibility to the Universe: Hélène Cattet & Bruno Forzani on Laissez bronzer les cadavres By Christoph Huber In CS73, From The Magazine, Interviews More →
The Uses of Disenchantment: Guillermo del Toro’s The Shape of Water By Adam Nayman In CS73, Features, From The Magazine More →
The Limits of Control: Lucien Castaing-Taylor & Véréna Paravel’s Caniba By Samuel La France In CS73, Features, From The Magazine More →
3/4 (Ilian Metev, Bulgaria/Germany) By Jordan Cronk In CS73, Festivals, From The Magazine, Spotlight More →
Cocote (Nelson Carlo de Los Santos Arias, Dominican Republic/Argentina/Germany) By Jay Kuehner In CS73, Fall Festival Highlights, Features, From The Magazine, Spotlight More →
The Green Fog (Guy Maddin, Evan Johnson, Galen Johnson, US/Canada) By Lawrence Garcia In CS73, Fall Festival Highlights, Festivals, From The Magazine, Spotlight More →
Madame Hyde (Serge Bozon, France/Belgium) By Blake Williams In CS73, Fall Festival Highlights, Features, From The Magazine, Spotlight More →
Hollywood, Read: Slow Writing: Thom Andersen on Cinema By Sean Rogers In Books, Columns, CS73, From The Magazine More →
Global Discoveries on DVD: Fantasies and Favourites By Jonathan Rosenbaum In Columns, CS73, DVD Reviews, From The Magazine More →
Phantom Thread (Paul Thomas Anderson, US) By Robert Koehler In CS73, Currency, From The Magazine More →
Three Billboards Outside Ebbing, Missouri (Martin McDonagh, UK/US) By Angelo Muredda In CS73, Currency, From The Magazine More →
Exploded View | Stan Brakhage’s Metaphors on Vision By Chuck Stephens In Columns, CS73, Exploded View, From The Magazine More →
Ex Libris – The New York Public Library (Frederick Wiseman, US) By Tom Charity In CS72, Currency, From The Magazine More →
Did You Wonder Who Fired the Gun? (Travis Wilkerson, US) By Celluloid Liberation Front In CS72, Currency, From The Magazine More →
Exploded View: Bill Viola’s I Do Not Know What It Is I Am Like By Chuck Stephens In CS72, Exploded View, From The Magazine More →
Global Discoveries on DVD: Bologna Awards and Mixed & Unmixed Blessings By Jonathan Rosenbaum In CS72, DVD Reviews, From The Magazine More →
Film/Art | Meet the Restacks: Dani Leventhal and Sheilah Wilson on Strangely Ordinary This Devotion By Michael Sicinski In Columns, CS72, From The Magazine More →
Those You Call Mutants: The Films of Lucrecia Martel By Blake Williams In CS72, Features, From The Magazine More →
Ahead of Its Reflection: Ben Russell’s Good Luck By Phil Coldiron In CS72, Features, From The Magazine More →
The Land of Terrible Legends: Narimane Mari on Le fort des fous By Jordan Cronk In CS72, From The Magazine, Interviews More →
Inner and Outer Space: Wang Bing Talks About Mrs. Fang By Daniel Kasman In CS72, From The Magazine, Interviews More →
The New Workout Plan: Denis Côté’s Ta peau si lisse By Adam Nayman In CS72, From The Magazine, Interviews More →
DVD Bonus | Capital, City: Three Films by Lino Brocka By Lawrence Garcia In CS72, DVD Reviews, From The Magazine More →
A Little Night Music: Twin Peaks: The Return, Part Eight By Kate Rennebohm In Columns, CS72, From The Magazine, TV More →
24 Frames (Abbas Kiarostami, Iran) By Blake Williams In CS71, Festivals, From The Magazine, Spotlight More →
Electroshock Therapy: Matthew Rankin on The Tesla World Light By Jason Anderson In CS71, Features, From The Magazine, Interviews More →
Would You Like to See a Magic Trick?: Basma Alsharif’s Ouroboros and its Contexts By Phil Coldiron In CS71, Features, From The Magazine, Interviews More →
Dusting the Corners: Luke Fowler’s Restorative Histories By Michael Sicinski In CS71, Features, From The Magazine, Interviews More →
Rossellini’s War Trilogy: Neorealism or Historical Revisionism? By Celluloid Liberation Front In CS71, Features, From The Magazine, Interviews More →
Cannes at 70: Bad Times, Good Time By Mark Peranson In Columns, CS71, Festivals, From The Magazine, Spotlight More →
The Square (Ruben Östlund, Denmark/France/Germany/Sweden) By Josh Cabrita In CS71, Festivals, From The Magazine, Spotlight More →
Araby (Affonso Uchôa and João Dumans, Brazil) By Jay Kuehner In CS71, Currency, From The Magazine More →
The Day After / Claire’s Camera (Hong Sangsoo, South Korea) By Andrea Picard In Columns, CS71, Festivals, From The Magazine, Spotlight More →
At the Frontier: Valeska Grisebach on Western By James Lattimer In Columns, CS71, Festivals, From The Magazine, Spotlight More →
Jeannette, l’enfance de Jeanne d’Arc (Bruno Dumont, France) By Jordan Cronk In Columns, CS71, Festivals, From The Magazine, Spotlight More →
Global Discoveries on DVD: A (Mainly) Alphabetical Listing of 24 Items By Jonathan Rosenbaum In Columns, CS71, DVD Reviews, From The Magazine More →
Silence (Martin Scorsese, US/Taiwan/Mexico) By Andrew Tracy In CS70, Currency, From The Magazine More →
Exploded View: Will Hindle’s Billabong By Chuck Stephens In Columns, CS70, Exploded View, From The Magazine More →
Global Discoveries on DVD: Clarifications and Spring Cleaning By Jonathan Rosenbaum In Columns, CS70, DVD Reviews, From The Magazine More →
Deaths of Cinema | Nothing Will Die: John Hurt, 1940–2017 By Adam Nayman In Columns, CS70, From The Magazine More →
Berlin: Bright Nights and Non-Events By Jordan Cronk In Columns, CS70, Festivals, From The Magazine More →
Sundance (II): A Few Useful Details By Jay Kuehner In Columns, CS70, Festivals, From The Magazine More →
Film/Art | Indeed, We Know: On the Video Art of Elizabeth Price By Blake Williams In Columns, CS70, From The Magazine More →
Small Things and Big Things: Feng Xiaogang’s I Am Not Madame Bovary By Shelly Kraicer In CS70, Features, From The Magazine More →
Cinema Scope 70 Editor’s Note: Top Ten of 2016 By Mark Peranson In Columns, CS70, From The Magazine, Top Ten More →
First Do No Harm: Hugh Gibson on The Stairs By Angelo Muredda In CS70, From The Magazine, Interviews More →
Cinema Concrete: Dane Komljen’s All the Cities of the North By Robert Koehler In CS70, From The Magazine, Interviews More →
Orchestrating the Apocalypse: The Survival Horror of Paul W.S. Anderson’s Resident Evils By Christoph Huber In CS70, Features, From The Magazine More →
Unseen Forces: Joshua Bonnetta in Sound and Image By Michael Sicinski In CS70, Features, From The Magazine More →
Northern Exposure: Future//Present at VIFF By Jordan Cronk In CS69, From The Magazine, Web Only More →
Rat Film (Theo Anthony, US) By Jordan Cronk In CS69, Fall Festival Highlights, From The Magazine, Spotlight More →
Kékszakállú (Gastón Solnicki, Argentina) By Jose Teodoro In CS69, Fall Festival Highlights, From The Magazine, Spotlight More →
Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau (Mathieu Denis and Simon Lavoie, Canada) By Adam Nayman In CS69, Fall Festival Highlights, Festivals, From The Magazine, Spotlight More →
Austerlitz (Sergei Loznitsa, Germany) By Jay Kuehner In CS69, Fall Festival Highlights, Festivals, From The Magazine, Spotlight More →
Something, Everything: Manuela De Laborde on AS WITHOUT SO WITHIN By Blake Williams In CS69, Features, From The Magazine, Interviews More →
The Working Hour: Salomé Lamas’ Eldorado XXI By Michael Sicinski In CS69, Features, From The Magazine, Interviews More →
Super-Ornithologist: João Pedro Rodrigues’ Birdman By Robert Koehler In CS69, Features, From The Magazine, Interviews More →
Artifact Bonfire: Ken Jacobs and Reichstag 9/11 By Daniel Kasman In CS69, Features, From The Magazine, Interviews More →
From the Other Side: Exiled in Trumpland By Roberto Minervini In CS69, Features, From The Magazine, Interviews More →
Exploded View: Gary Beydler’s Mirror By Chuck Stephens In CS69, Exploded View, From The Magazine More →
Global Discoveries on DVD: Mostly Items from Overseas By Jonathan Rosenbaum In Columns, CS69, DVD Reviews, From The Magazine More →
Film/Art | News from Anywhere, Nowhere, Home: Notes on the BNLMTL By Andrea Picard In Columns, CS69, From The Magazine More →
Weapon of Flesh: Shiota Akihiko’s Wet Woman in the Wind and the Return of Roman Porno By Christoph Huber In CS68, Features, From The Magazine, Interviews More →
Film/Art | Farewell to Storyville: John Akomfrah’s New Essays By Phil Coldiron In Columns, CS68, From The Magazine More →
Deaths of Cinema | What the Water Said: Peter Hutton (1944-2016) By Michael Sicinski In Columns, CS68, From The Magazine More →
Global Discoveries on DVD: Awards and Extras By Jonathan Rosenbaum In Columns, CS68, DVD Reviews More →
Exploded View: Malcolm Le Grice’s Berlin Horse By Chuck Stephens In CS68, Exploded View, From The Magazine More →
The Rules of the Game: Paul Verhoeven’s Elle By Adam Nayman In Cinema Scope Online, CS68, Features, From The Magazine, Interviews, TIFF 2016 More →
Nocturama (Bertrand Bonello, France/Germany/Belgium) By Blake Williams In Cinema Scope Online, CS68, Currency, From The Magazine, TIFF 2016 More →
Daughters of the Dust (Julie Dash, US) By Steve Macfarlane In Cinema Scope Online, CS68, Currency, From The Magazine, TIFF 2016 More →
Sehnsucht: Ruth Beckermann on The Dreamed Ones By Andrea Picard In Cinema Scope Online, CS68, Features, From The Magazine, Interviews, TIFF 2016 More →
Saying Something: The Films of Angela Schanelec By Blake Williams In Cinema Scope Online, CS68, Features, From The Magazine, Interviews, TIFF 2016 More →
The Wanderer: Eduardo Williams’ The Human Surge By Leo Goldsmith In Cinema Scope Online, CS68, Features, From The Magazine, Interviews, TIFF 2016 More →
Snowden (Oliver Stone, Germany/US) By Robert Koehler In Cinema Scope Online, CS68, Currency, From The Magazine, TIFF 2016 More →
L’Avenir (Mia Hansen-Løve, France) By Adam Nayman In Cinema Scope Online, CS68, Currency, From The Magazine, TIFF 2016 More →
Issue 70: Table of Contents By Cinema Scope In Columns, CS70, From The Magazine, Table of Contents More →
Issue 69: Table of Contents By Cinema Scope In Columns, CS69, From The Magazine, Table of Contents More →
The Man Who Would Be Cinema: Muhammad Ali, 1942-2016 By Celluloid Liberation Front In CS67, Web Only More →
Global Discoveries on DVD: Ways of Seeing By Jonathan Rosenbaum In Columns, CS67, DVD Reviews, From The Magazine More →
La mort de Louis XIV (Albert Serra, France/Spain/Portugal) By Blake Williams In CS67, Festivals, From The Magazine, Spotlight More →
Termite Art: Kleber Mendonça Filho on Aquarius By Robert Koehler In CS67, Festivals, From The Magazine, Spotlight More →
Sieranevada (Cristi Puiu, Romania/France/Bosnia and Herzegovnia/Croatia/Republic of Macedonia) By Jordan Cronk In CS67, Festivals, From The Magazine, Spotlight More →
A Battle of Humour: Maren Ade on Toni Erdmann By Mark Peranson In CS67, Festivals, From The Magazine, Spotlight More →
Cannes 2016: Gentlemen, We’ll Do Better Next Time By Mark Peranson In CS67, Festivals, From The Magazine, Spotlight More →
El Filibustero: Lav Diaz’s A Lullaby to the Sorrowful Mystery By Michael Sicinski In CS67, Features, From The Magazine More →
Exploded View: Robert Nelson’s Bleu Shut By Chuck Stephens In Cinema Scope Online, Columns, CS67, Exploded View, From The Magazine More →
Before the Swarm: David Bordwell’s The Rhapsodes: How 1940s Critics Changed American Film Culture By Andrew Tracy In Books, Columns, CS67, From The Magazine More →
Film/Art – Un-Canny: Bruno Dumont’s Ma Loute and the Creatures of Cannes By Andrea Picard In Columns, CS67, From The Magazine More →
Mimosas (Oliver Laxe, Spain/Morocco/Qatar/France) By Jay Kuehner In CS67, Festivals, From The Magazine, Spotlight More →
Love & Friendship (Whit Stillman, Ireland/Netherlands/France/US) By Alicia Fletcher Alicia Fletcher In CS67, Currency, From The Magazine More →
The Only Luxury: An Interview with Ted Fendt By Dan Sullivan In CS66, From The Magazine, Interviews More →
Uniquely American Symptoms: The Manchurian Candidate By Adam Nayman In CS66, Features, From The Magazine More →
Last Action Hero: Jason Statham Plays It Straight By Christoph Huber In CS66, Features, From The Magazine More →
Wang Bing Films Souls: On Ta’ang and Other Recent Work By Shelly Kraicer In CS66, Features, From The Magazine More →
A Cinema of the Margins: The Curious Case of Claudio Caligari By Ruben Demasure In CS66, Festivals, From The Magazine, Spotlight More →
Editor’s Note: The Cinema Scope Top Ten of 2015 By Mark Peranson In Columns, CS66, From The Magazine, Top Ten More →
Deaths of Cinema | Metteur en scène: Jacques Rivette, 1928–2016 By Matías Piñeiro In Columns, CS66, From The Magazine More →
A Film/Art Hypothesis: Philippe Parreno at HangarBicocca By Andrea Picard In Columns, CS66, From The Magazine More →
Global Discoveries on DVD: Niche Market Refugees By Jonathan Rosenbaum In Columns, CS66, From The Magazine More →
Exploded View: Tom Palazzolo’s Love It / Leave It By Chuck Stephens In Columns, CS66, Exploded View, From The Magazine More →
Il Solengo (Alessio Rigo de Righi and Matteo Zoppis, Italy) By Jay Kuehner In CS66, Currency, From The Magazine More →
Room (Lenny Abrahamson, Ireland/Canada) By Angelo Muredda In CS65, Currency, From The Magazine More →
Exploded View | Death of the Gorilla By Chuck Stephens In CS65, Exploded View, From The Magazine More →
Global Discoveries on DVD | Hosannas and Quibbles By Jonathan Rosenbaum In Columns, CS65, DVD Reviews, From The Magazine More →
Happy Hour (Hamaguchi Ryusuke, Japan) By Michael Sicinski In CS65, Fall Festival Highlights, Festivals, From The Magazine, Spotlight More →
Kaili Blues (Bi Gan, China) By Shelly Kraicer In CS65, Fall Festival Highlights, From The Magazine, Spotlight More →
Blood of My Blood (Marco Bellocchio, Italy) By Blake Williams In CS65, Fall Festival Highlights, From The Magazine, Spotlight More →
Chevalier (Athina Rachel Tsangari, Greece) By Samuel La France In CS65, Fall Festival Highlights, From The Magazine, Spotlight More →
Mother of All of Us: Ida Lupino, The Filmaker By Christoph Huber In CS65, Features, From The Magazine More →
Landscape Suicide: The Films of Daïchi Saïto By Jordan Cronk In CS65, Features, From The Magazine More →
Failure Hasn’t Spoiled Him Yet: Alan Zweig Succeeds in Spite of Himself By Jason Anderson In CS65, Fall Festival Highlights, Festivals, From The Magazine More →
Body Politic: Gabriel Mascaro on Neon Bull By Jose Teodoro In CS65, From The Magazine, Interviews More →
Two Years at Sea: An Interview with Mauro Herce By Jay Kuehner In CS65, From The Magazine, Interviews More →
Deaths of Cinema | La Ressasseuse: Chantal Akerman, 1950–2015 By Kate Rennebohm In Columns, CS65, From The Magazine More →
Canadiana | Put the Mask on Now! By Samuel La France In Canadiana, Columns, CS64, From The Magazine More →
Global Discoveries on DVD | Mostly About Extras By Jonathan Rosenbaum In Columns, CS64, From The Magazine More →
Leeching Upon the Lifeblood of the Real: Ben Rivers’ The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers By Leo Goldsmith In CS64, Features, From The Magazine More →
Archive Fever: The Films of Pietro Marcello By Blake Williams In CS64, Features, From The Magazine More →
Infinite Worlds Possible: Hong Sangsoo’s Right Now, Wrong Then By Roger Koza In CS64, From The Magazine, Interviews More →
Necessary Means: Isiah Medina on 88:88 By Phil Coldiron In CS64, From The Magazine, Interviews More →
Notes on Camp: An Interview with David Wain By Adam Nayman In CS64, From The Magazine, Interviews More →
Eternal Damnation: Arturo Ripstein’s Bleak Street By Jose Teodoro In CS64, Features, From The Magazine More →
Film/Art | We Can’t Go Home Again: Chantal Akerman’s No Home Movie By Andrea Picard In Columns, CS64, From The Magazine More →
The Assassin (Hou Hsiao-hsien, Taiwan) By Jordan Cronk In CS63, Festivals, From The Magazine, Spotlight More →
Son of Saul (László Nemes, Hungary) By Richard Porton In CS63, Festivals, From The Magazine, Spotlight More →
Cemetery of Splendour (Apichatpong Weerasethakul, UK/France/Germany/Malaysia/Thailand) By Kong Rithdee In CS63, Festivals, From The Magazine, Spotlight More →
Sleeping Giant (Andrew Cividino, Canada) By Jason Anderson In CS63, Festivals, From The Magazine, Spotlight More →
Cannes 2015: My God, It’s Full of Stars! By Mark Peranson In CS63, Festivals, From The Magazine, Spotlight More →
Italians Abroad: Youth, Mia Madre, Tale of Tales, The Other Side By Celluloid Liberation Front In CS63, Festivals, From The Magazine, Spotlight More →
In Dreams Begin Responsibilities: The Films of Patricio Guzmán By Max Nelson In CS63, Features, From The Magazine More →
Canadiana | What Does It All Mean? Canada’s All-Time Top Ten List By Adam Nayman In Columns, CS63, From The Magazine More →
Film/Art | Oh, Broodthaers, Where Art Thou? By Andrea Picard In Columns, CS63, From The Magazine More →
Global Discoveries on DVD | Then and Now, Hither and Yon By Jonathan Rosenbaum In Columns, CS63, From The Magazine More →
Implications of a Totality: Frames for the Films of Joseph Bernard By Phil Coldiron In CS63, Features, From The Magazine More →
Blackhat, White Noise: Michael Mann’s System of Objects By Andrew Tracy In CS62, Features, From The Magazine More →
A Perfect Game: Kevin Jerome Everson’s Park Lanes By Michael Sicinski In CS62, Features, From The Magazine More →
The Funniest Joke in the World: On Rick Alverson’s Entertainment By Phil Coldiron In CS62, Features, From The Magazine More →
Cock and Bull Stories: Miguel Gomes on Arabian Nights By Mark Peranson In CS63, From The Magazine, Interviews More →
Mad Max: Fury Road (George Miller, Australia/US) By Christoph Huber In CS63, Currency, From The Magazine More →
Lost in the Funhouse: A Conversation with Guy Maddin and Evan Johnson on The Forbidden Room and Other Stories By Mark Peranson In CS62, From The Magazine, Interviews More →
Circumnavigating Cinema: Kidlat Tahimik’s Balikbayan #1 Memories of Overdevelopment Redux III By Daniel Kasman In CS62, From The Magazine, Interviews More →
Dancing on the Edge: Derek Jarman’s Will You Dance With Me? By Max Nelson In CS62, Features, From The Magazine More →
Of Time and the River: Mapping the Cinema of Luo Li By Shelly Kraicer In CS62, Features, From The Magazine More →
Sundance 2015: Results from the Frontier By Blake Williams In CS62, Festivals, From The Magazine More →
Global Discoveries on DVD: Missing Directors, Extras, First Looks By Jonathan Rosenbaum In Columns, CS62 More →
Exploded View | Kenneth Anger’s Puce Moment By Chuck Stephens In Columns, CS62, From The Magazine More →
White God (Kornél Mundruczó, Hungary/Germany/Sweden) By Samuel La France In CS62, Currency, From The Magazine More →
Film/Art | Carlos Amorales, Roberto Bolaño, and Amorality Within the Avant-Garde By Andrea Picard In Columns, CS61, From The Magazine More →
Global Discoveries on DVD | Conspicuously Absent or Apt to be Overlooked By Jonathan Rosenbaum In Columns, CS61, From The Magazine More →
Exploded View | The George Kuchar Reader By Chuck Stephens In Columns, CS61, From The Magazine More →
Force Majeure (Ruben Östlund, Sweden/France/Denmark/Norway) By Angelo Muredda In CS61, Currency, From The Magazine More →
Inherent Vice (Paul Thomas Anderson, US) By Blake Williams In CS61, Currency, From The Magazine, Top Ten Films 2014 More →
Letters to Max (Eric Baudelaire, France) By Leo Goldsmith In CS61, Festivals, From The Magazine, Spotlight More →
Episode of the Sea (Van Brummelen & De Haan and the inhabitants of Urk, Netherlands) By Daniel Kasman In CS61, Festivals, From The Magazine, Spotlight More →
The Iron Ministry (J.P. Sniadecki, US/China) By Jordan Cronk In CS61, Festivals, From The Magazine, Spotlight More →
Heaven Knows What (Josh & Benny Safdie, US) By Sean Rogers In CS61, Festivals, From The Magazine, Spotlight More →
Clouds of Sils Maria (Olivier Assayas, France/US) By Andrew Tracy In CS61, Festivals, From The Magazine, Spotlight More →
A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, Sweden) By Jason Anderson In CS61, Festivals, From The Magazine, Spotlight More →
Dead Meat: Bruno Dumont’s P’tit Quinquin By Michael Sicinski In CS61, Features, From The Magazine, Interviews, Top Ten Films 2014 More →
Of Human Bondage: Peter Strickland on The Duke of Burgundy By Jose Teodoro In CS61, Features, From The Magazine, Interviews More →
The Face of Another: Christian Petzold’s Phoenix By Adam Nayman In CS61, Features, From The Magazine, Interviews, Top Ten Films 2014 More →
Who Can Tell of the Heroic Deeds of Israel?: Nadav Lapid’s The Kindergarten Teacher By Jay Kuehner In CS61, Features, From The Magazine, Interviews, Top Ten Films 2014 More →
Don’t Look Back: Life and Death and the Films of Mary Helena Clark By Phil Coldiron In CS61, Features, From The Magazine More →
Quest for Happiness: A Conversation with Peter von Bagh By Boris Nelepo In CS60, From The Magazine, Interviews More →
Pacifico’s Heights: Simone Rapisarda Casanova on The Creation of Meaning By Jason Anderson In CS60, From The Magazine, Interviews More →
A Place Beyond the Pines: Twin Peaks: Fire Walk With Me, the Missing Pieces, and the Legacy of Brutality By Jordan Cronk In CS60, Features, From The Magazine More →
Film/Art | Harun Farocki’s Inextinguishable Fire By Andrea Picard In Columns, CS60, From The Magazine More →
Global Discoveries on DVD | Prizewinners, Also-Rans, and Others By Jonathan Rosenbaum In Columns, CS60, From The Magazine More →
Exploded View | Michael Snow’s Wavelength By Chuck Stephens In Columns, CS60, From The Magazine More →
20,000 Days on Earth (Iain Forsyth and Jane Pollard, UK) By Angelo Muredda In CS60, Currency, From The Magazine More →
Going for Baroque: The Films of Eugène Green By Blake Williams In CS60, Features, From The Magazine More →
Beautiful Games: Matías Piñeiro on The Princess of France By Andrew Tracy In CS60, From The Magazine, Interviews More →
The Noise Made By People: The Films of Martín Rejtman By Max Nelson In CS60, Features, From The Magazine More →
City to City 2014 and Beyond: TIFF’s Uneven Seoul Patch By Michael Sicinski In CS60, Features, From The Magazine More →
L’avventura: Pedro Costa on Horse Money By Mark Peranson In CS60, From The Magazine, Interviews, Top Ten Films 2014 More →
Declarations of Independence: A Conversation Between Alex Ross Perry and Joel Potrykus By Cinema Scope In CS59, Features, From The Magazine, Interviews More →
Diary of a Mad Housewife: Robert Greene’s Actress By Adam Nayman In CS59, From The Magazine, Interviews More →
Each Memory Creates Its Own Legend: The Films of John Torres By Max Nelson In CS59, Features, From The Magazine More →
Cannes 2014: Who Let the Dogs Out? By Mark Peranson In CS59, Festivals, From The Magazine, Spotlight More →
Cannes 2014 | Adieu au langage (Jean-Luc Godard, France) By Blake Williams In CS59, Festivals, From The Magazine, Spotlight, Top Ten Films 2014 More →
Cannes 2014 | Jauja (Lisandro Alonso, Argentina/Mexico/Denmark/France/Germany/USA/Brazil) By Quintin In CS59, Festivals, From The Magazine, Spotlight, Top Ten Films 2014 More →
Cannes 2014 | Winter Sleep (Nuri Bilge Ceylan, Turkey/Germany/France) By Jordan Cronk In CS59, Festivals, From The Magazine, Spotlight More →
Cannes 2014 | The Wonders (Alice Rohrwacher, Italy/Switzerland/Germany) By Tom Charity In CS59, Festivals, From The Magazine, Spotlight More →
Cannes 2014 | Saint Laurent (Bertrand Bonello, France) By Boris Nelepo In CS59, Festivals, From The Magazine, Spotlight More →
Deaths of Cinema | The World in His Arms: Michael Glawogger, 1959-2014 By Christoph Huber In Columns, CS59, From The Magazine More →
Global Discoveries on DVD: Extras, Promos, Prices By Jonathan Rosenbaum In Columns, CS59, From The Magazine More →
Exploded View | Standish Lawder’s Corridor By Chuck Stephens In Columns, CS58, From The Magazine More →
Stop the Pounding Heart (Roberto Minervini, USA/Italy/Belgium By Jay Kuehner In CS59, Currency, From The Magazine More →
The Grand Budapest Hotel (Wes Anderson, US/Germany) By Julian Carrington In CS58, Currency, From The Magazine More →
Festivals | Rotterdam: M for Mellow By Calum Marsh In CS58, Festivals, From The Magazine, Spotlight More →
Festivals | Berlin: Black Coal, Thin Ice By Shelly Kraicer In CS58, Festivals, From The Magazine, Spotlight More →
Festivals | Berlin: The Forma of Things to Come By Robert Koehler In CS58, Festivals, From The Magazine, Spotlight More →
Exploded View | Ed Emshwiller’s Thanatopsis By Chuck Stephens In Columns, CS58, From The Magazine More →
Film/Art | Provenance: The Artist (Amie Siegel) By Andrea Picard In Columns, CS58, From The Magazine More →
Global Discoveries on DVD | Mitigating Circumstances By Jonathan Rosenbaum In Columns, CS58, From The Magazine More →
The Conversation: Stephanie Barber’s DAREDEVILS By Max Goldberg In CS58, Features, From The Magazine More →
Man from the Southwest: The Brutish Cinema of José Campusano By Quintin In CS58, Features, From The Magazine More →
Game Theories: Corneliu Porumboiu and the New Romanian Wake By Jordan Cronk In CS58, Features, From The Magazine More →
Hardbodies and Soul: The Professional Wrestler as Actor By Adam Nayman In CS58, Features, From The Magazine More →
12 Years a Slave (Steve McQueen, US/UK) By Julian Carrington In CS57, Currency, From The Magazine More →
Inside Llewyn Davis (Joel and Ethan Coen, US) By Adam Nayman In CS57, Currency, From The Magazine More →
Redemption (Miguel Gomes, Portugal/France/Germany/Italy) By Max Nelson In CS57, Festivals, From The Magazine, Spotlight More →
Mouton (Gilles Deroo and Marianne Pistone, France) By Jay Kuehner In CS57, Festivals, From The Magazine, Spotlight More →
La jalousie (Philippe Garrel, France) By Blake Williams In CS57, Festivals, From The Magazine, Spotlight More →
Ida (Pawel Pawlikowski, Poland/Denmark) By Jerry White In CS57, Festivals, From The Magazine, Spotlight More →
Hard to Be a God (Aleksei German, Russia) By Olaf Moller In CS57, Festivals, From The Magazine, Spotlight More →
Exploded View | The Curtis Harrington Short Film Collection By Chuck Stephens In Columns, CS57, From The Magazine More →
Film/Art | In the Realm of the Senses: Mati Diop on Mille soleils By Andrea Picard In Columns, CS57, From The Magazine More →
Global Discoveries on DVD | Yes and/or No By Jonathan Rosenbaum In Columns, CS57, From The Magazine More →
Deaths of Cinema | The Long View: Stanley Kauffmann, 1916-2013 By Andrew Tracy In Columns, CS57, From The Magazine More →
The Great Depression: Jerry Lewis’ Last Movies By Christoph Huber In CS57, Features, From The Magazine More →
An Internal Memo: Gianfranco Rosi’s Sacro GRA By Michael Sicinski In CS57, Features, From The Magazine More →
Flicker Flicker Flicker Blam Pow Pow: Five Films by Jodie Mack By Phil Coldiron In CS57, Features, From The Magazine More →
Time and Space: Moments with Lois Patiño By Aaron Cutler In CS57, From The Magazine, Interviews More →
Architecture of Desire: Joanna Hogg’s Exhibition By Paul Dallas In CS57, From The Magazine, Interviews More →
Global Discoveries on DVD | Monuments, Documents, and Diversions By Jonathan Rosenbaum In Columns, CS56, From The Magazine More →
A Truck Full of Turkeys: Thoughts on Joaquim Pinto’s What Now? Remind Me By Francisco Ferreira In CS56, Features, From The Magazine More →
Exploded View: Will Hindle’s Saint Flournoy Lobos-Logos… By Chuck Stephens In Columns, CS56, From The Magazine More →
Shine a Light: Ben Rivers and Ben Russell’s A Spell to Ward Off the Darkness By Michael Sicinski In CS56, From The Magazine, Interviews More →
The Beauty of Horror and the Horror of Beauty: An Encounter with Albert Serra By Mark Peranson In CS56, From The Magazine, Interviews More →
Temps mort: Jim Jarmusch’s Only Lovers Left Alive By Andrew Tracy In CS56, Features, From The Magazine More →
Master Shots: Tsai Ming-liang’s Late Digital Period By Blake Williams In CS56, Features, From The Magazine More →
Women Under the Influence: Hong Sangsoo’s Nobody’s Daughter Haewon & Our Sunhi By Jordan Cronk In CS56, Features, From The Magazine More →
A Liar’s Autobiography: The Return of Alejandro Jodorowsky By Quintin In CS56, Features, From The Magazine More →
Black, White, and Giallo: Forzani & Cattet’s The Strange Colour of Your Body’s Tears By Jason Anderson In CS56, Features, From The Magazine More →
Film/Art | Camille Henrot: A Hunter-Gatherer During a Time of Collective “Grosse Fatigue” By Andrea Picard In Columns, CS56, From The Magazine More →
