Cinema Scope

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Ex Libris – The New York Public Library (Frederick Wiseman, US)

By Tom Charity In CS72, Currency, From The Magazine

Did You Wonder Who Fired the Gun? (Travis Wilkerson, US)

By Celluloid Liberation Front In CS72, Currency, From The Magazine

Exploded View: Bill Viola’s I Do Not Know What It Is I Am Like

By Chuck Stephens In CS72, Exploded View, From The Magazine

Global Discoveries on DVD: Bologna Awards and Mixed & Unmixed Blessings

By Jonathan Rosenbaum In CS72, DVD Reviews, From The Magazine

Film/Art | Meet the Restacks: Dani Leventhal and Sheilah Wilson on Strangely Ordinary This Devotion

By Michael Sicinski In Columns, CS72, From The Magazine

CS72 Editors Note

By Mark Peranson In Columns, CS72, From The Magazine

Ephraim Asili’s Immeasurable Equations

By Jesse Cumming In CS72, Features, From The Magazine

Those You Call Mutants: The Films of Lucrecia Martel

By Blake Williams In CS72, Features, From The Magazine

Ahead of Its Reflection: Ben Russell’s Good Luck

By Phil Coldiron In CS72, Features, From The Magazine

The Land of Terrible Legends: Narimane Mari on Le fort des fous

By Jordan Cronk In CS72, From The Magazine, Interviews

Inner and Outer Space: Wang Bing Talks About Mrs. Fang

By Daniel Kasman In CS72, From The Magazine, Interviews

The New Workout Plan: Denis Côté’s Ta peau si lisse

By Adam Nayman In CS72, From The Magazine, Interviews

DVD Bonus | Capital, City: Three Films by Lino Brocka

By Lawrence Garcia In CS72, DVD Reviews, From The Magazine

A Little Night Music: Twin Peaks: The Return, Part Eight

By Kate Rennebohm In Columns, CS72, From The Magazine, TV

Issue 72: Table of Contents

By Cinema Scope In CS72, From The Magazine, Table of Contents

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From the Magazine
- Cinema Scope Issue 85 Table of Contents
  
  FEATURES The Play for Tomorrow: Steve McQueen’s Small Axe by Michael Sicinski The Crowd is Dead, Long Live the Crowd! by
- The Play for Tomorrow: Steve McQueen’s Small Axe
  
  By Michael Sicinski One of the best known of Steve McQueen’s early video works is Deadpan (1997), a four-minute, 35-second
- The Crowd Is Dead, Long Live the Crowd!
  
  Les misérables By Erika Balsom for RMC 1. It was a total coincidence and yet it felt freighted with meaning:
- All the Fountains of the Great Deep: Artavazd Pelechian’s La Nature
  
  By Phil Coldiron Artists who write clearly about their work run a serious risk: that they will be taken at
- Minority Report: Armond White Wants to Make Spielberg Great Again
  
  By Adam Nayman The “About the Author” section of Armond White’s new critical anthology does not disappoint. In the space