Cinema Scope 79 Table of Contents
Features
Philosophy in the Woods: Albert Serra’s Libertines by Phil Coldiron
Come on Feel the Noise: The Films of Andrés Duque by Leo Goldsmith
Truth and Method: The Films of Thomas Heise by Michael Sicinski
A Case for “Mere” Recording: Films by Ryan Ermacora and Jessica Johnson by Jaclyn Bruneau
Thinking in Images: Scott Walker and Cinema by Christoph Huber
The Meeting of Two Queens: Doris Wishman and Peggy Ahwesh by Elena Gorfinkel
The Good Fight: The Films of Julia Reichert by Bob Kotyk
Spotlight
Cannes 2019: Return to Form by Mark Peranson
Atlantique by Jesse Cumming
Bacurau by James Lattimer
It Must Be Heaven by Richard Porton
Mektoub, My Love: Intermezzo by Giovanni Marchini Camia
Tommaso by Manuela Lazic
Killer Styles: The 51st Quinzaine des Réalisateurs by Jordan Cronk
J’ai perdu mon corps by Jason Anderson
Nuestras Madres by Ela Bittencourt
Columns
Editor’s Note by Mark Peranson
Deaths of Cinema: Agnès Varda, 1928–2019 by Jess Cotton
Film/Art: The 58th Venice Biennale by Erika Balsom
TV or Not TV: Succession by Brendan Boyle
Global Discoveries on DVD by Jonathan Rosenbaum
Exploded View: Flaubert Dreams of Travel But the Illness of His Mother Prevents It by Chuck Stephens
Currency
The Souvenir by Robert Koehler
The Hottest August by Adam Nayman
Diamantino by Angelo Muredda
Too Late to Die Young by Josh Cabrita
Support
