Issue 71: Table of Contents
Interviews and Features
Electroshock Therapy: Matthew Rankin on The Tesla World Light by Jason Anderson
Quiet Savagery: A Tale of Two Tourneurs by Christoph Huber
All You Can Eat: The Heroism of Howard Hughes by Adam Nayman
Censoring Shakespeare: Ing K’s Shakespeare Must Die by Nathan Letoré
Would You Like to See a Magic Trick?: Basma Alsharif’s Ouroboros and its Contexts by Phil Coldiron
A Passage Through: Filipa César’s Spell Reel by Jesse Cumming
Dusting the Corners: Luke Fowler’s Restorative Histories by Michael Sicinski
Rossellini’s War Trilogy: Neorealism or Historical Revisionism? by Celluloid Liberation Front
Spotlight: Cannes 2017
Cannes at 70: Bad Times, Good Time by Mark Peranson
Web Extra: An Element of Danger: Josh and Benny Safdie on Good Time by Dan Sullivan
The Square by Josh Cabrita
The Day After / Claire’s Camera by Andréa Picard
At the Frontier: Valeska Grisebach on Western by James Lattimer
Closeness by Daniel Kasman
24 Frames by Blake Williams
Deserting the Real: Documentaries at Cannes by Richard Porton
Jeannette, l’enfance de Jeanne d’Arc by Jordan Cronk
Un beau soleil intérieur by Giovanni Marchini Camia
Columns
Festivals
The Nitrate Picture Show by Alicia Fletcher and Samuel La France
TV or Not TV
Twin Peaks: The Return by Kate Rennebohm
Global Discoveries on DVD by Jonathan Rosenbaum
DVD Bonus: Fat City and Hard Times by Sean Rogers
Exploded View: Peter Gidal’s Room (Double Take) by Chuck Stephens
Currency
Baby Driver by Robert Koehler
Araby by Jay Kuehner
Maison du bonheur by Angelo Muredda
Risk by Steve Macfarlane
Support
