Issue 56 Table of Contents
This is the complete list of articles from magazine issue of Cinema Scope issue 56. We post a few selected articles from each issue on the site. For the complete content, and to help Cinema Scope continue, please subscribe to the magazine, or consider the instant digital download version.
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Fall Festival Preview
Interviews
The Beauty of Horror and the Horror of Beauty: An Encounter with Albert Serra, by Mark Peranson
A Parade of Images Speaking for Themselves: Blutch’s So Long, Silver Screen, by Sean Rogers
Shine a Light: Ben Rivers and Ben Russell’s A Spell to Ward Off the Darkness, by Michael Sicinski
Features
A Truck Full of Turkeys: Thoughts on Joaquim Pinto’s What Now? Remind Me, by Francisco Ferreira
Killed the Family and Went to the Movies: The Sentimental Education of Júlio Bressane, by Celluloid Liberation Front
A Liar’s Autobiography: The Return of Alejandro Jodorowsky, by Quintín
Sunny Pleasure Domes with Caves of Ice: Politics and the Asian Blockbuster, by Tony Rayns
Women Under the Influence: Hong Sangsoo’s Nobody’s Daughter Haewon and Our Sunhi, by Jordan Cronk
Master Shots: Tsai Ming-liang’s Late Digital Period, by Blake Williams
Pilgrim’s Progress: Manakamana, by Jay Kuehner
Athens Decathlon: TIFF 2013 City to City, by Adam Nayman
Temps mort: Jim Jarmusch’s Only Lovers Left Alive, by Andrew Tracy
The Man Who Left His Notes on Film: Norbert Pfaffenbichler, by Christoph Huber
The End of Cinema: La última película, by Phil Coldiron
Columns
Film/Art: Camille Henrot, by Andréa Picard
Spare Change: Harry Tomicek, by Olaf Möller
Global Discoveries on DVD, by Jonathan Rosenbaum
Exploded View: Will Hindle, by Chuck Stephens
Web Only
This Is Martin Bonner, by Calum Marsh
Cinema Scope