Kelly Reichardt
By Alexandra Zawia It’s remarkable how Kelly Reichardt takes on different genres and makes them her own, undermining expectations by moving elliptically within specific conventions and creating a radical atmosphere. In Meek’s Cutoff, she chose to shoot a Western from the restricted perspectives of her characters, as if from underneath the brims of their hats,…
Read More
By Jason McBride I’ve seen each of Kelly Reichardt’s feature films at least twice, but for some reason I can never really remember how they end. This despite the fact that they all end in roughly the same way: which is sort of not ending at all, with characters still in motion, heading somewhere, anywhere,…
Read More
Support
