Kelly Reichardt
By Alexandra Zawia It’s remarkable how Kelly Reichardt takes on different genres and makes them her own, undermining expectations by moving elliptically within specific conventions and creating a radical atmosphere. In Meek’s Cutoff, she chose to shoot a Western from the restricted perspectives of her characters, as if from underneath the brims of their hats,…
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By Jason McBride I’ve seen each of Kelly Reichardt’s feature films at least twice, but for some reason I can never really remember how they end. This despite the fact that they all end in roughly the same way: which is sort of not ending at all, with characters still in motion, heading somewhere, anywhere,…
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Adam Nayman and Little White Lies
GOETHE FILMS @ TIFF BELL LIGHTBOX
TORONTO
