This the full table of contents from Cinema Scope Magazine #69. We post selected articles from each issue on the site which you can read for free using the links below. This is only possible with support from our subscribers, so please consider a subscription to the magazine, or  the instant digital download version. 


FEATURES & INTERVIEWS

*From the Other Side: Exiled in Trumpland by Roberto Minervini

Land of Confusion: Cristi Puiu Talks Sieranevada by Christoph Huber

*Artifact Bonfire: Ken Jacobs and Reichstag 9/11 by Daniel Kasman

Self-Portrait: Bob Dylan as Filmmaker by Sean Rogers

*Super-Ornithologist: João Pedro Rodrigues’ Birdman by Robert Koehler

*The Working Hour: Salomé Lamas’ Eldorado XXI by Michael Sicinski

The Cost of Reparations: An Interview With Alanis Obomsawin by Steve Macfarlane

Doesn’t Have to Be a Tome”: Kelly Reichardt’s Certain Women by Angelo Muredda

*Something, Everything: Manuela De Laborde on AS WITHOUT SO WITHIN by Blake Williams

SPOTLIGHT: FALL FESTIVAL HIGHLIGHTS

*Rat Film by Jordan Cronk

*Austerlitz by Jay Kuehner

By the Time It Gets Dark by James Lattimer

*Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau by Adam Nayman

Donald Cried by Celluloid Liberation Front

Free Fire by Julien Allen

*Kékszakállú by José Teodoro

Le quadrille, Aux quatre coins, and Le divertissement: Three Short Films by Jacques Rivette by Christopher Small

COLUMNS

*Editor’s Note

*Film/Art: La Biennale de Montréal by Andréa Picard

*Global Discoveries on DVD by Jonathan Rosenbaum

DVD Bonus: The Herschell Gordon Lewis Feast by Michael Atkinson

 

EXPLODED VIEW

Gary Beydler’s Mirror by Chuck Stephens

WEB ONLY

*Moonlight by Phil Coldiron

Northern Exposure: Future//Present at VIFF by Jordan Cronk

CURRENCY

*Jackie by Adam Nayman

La La Land by Alicia Fletcher

Fire at Sea by Samuel La France

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From the Magazine

  • Cinema Scope 82: Table of Contents

    Interviews A State of Uncertainty: Tsai Ming-liang on Days by Darren Hughes New Possible Realities: Heinz Emigholz on The Last City by Jordan Cronk This More →

  • A State of Uncertainty: Tsai Ming-liang on Days

    There’s no exact precedent for the long creative collaboration between Tsai Ming-liang and Lee Kang-sheng. In 1991, as the story goes, Tsai stepped out of a screening of a David Lynch movie and spotted Lee sitting on a motorbike outside of an arcade. More →

  • New Possible Realities: Heinz Emigholz on The Last City

    The Last City, the new film by Heinz Emigholz, begins with a confession. “And it was a straight lie when I told you that I had an image that could describe the state of my depression,” admits a middle-aged archaeologist to a weapons designer (played, respectively, by John Erdman and Jonathan Perel, who were previously seen in Emigholz's 2017 film Streetscapes [Dialogue] as a filmmaker and his analyst). “I made that up.” Part reintroduction, part recapitulation, this abrupt admission sets the conceptual coordinates for a film that, despite its presentation and the familiarity of its players, is less a continuation of that earlier work’s confessional mode of address than a creative reimagining of its talking points. More →

  • This Dream Will Be Dreamed Again: Luis López Carrasco’s El año del descubrimiento

    Luis López Carrasco’s dense, devious El año del descubrimiento confirms his reputation as Spain’s foremost audiovisual chronicler of the country’s recent past, albeit one for whom marginal positions, materiality, everyday chitchat, and the liberating effects of fiction are as, if not more, important than grand historical events. More →

  • Long Live the New Flesh: The Decade in Canadian Cinema

    Let’s get it right out of the way: by any non-subjective metric—which is to say in spite of my own personal opinion—the Canadian filmmaker of the decade is Xavier Dolan, who placed six features (including two major Competition prizewinners) at Cannes between 2009 (let’s give him a one-year head start) and 2019, all before turning 30. Prodigies are as prodigies do, and debating Dolan’s gifts as a transnational melodramatist and zeitgeist-tapperis a mug’s game, one that I’ve already played in these pages. More →