This the full table of contents from Cinema Scope Magazine #69. We post selected articles from each issue on the site which you can read for free using the links below. This is only possible with support from our subscribers, so please consider a subscription to the magazine, or  the instant digital download version. 


FEATURES & INTERVIEWS

*From the Other Side: Exiled in Trumpland by Roberto Minervini

Land of Confusion: Cristi Puiu Talks Sieranevada by Christoph Huber

*Artifact Bonfire: Ken Jacobs and Reichstag 9/11 by Daniel Kasman

Self-Portrait: Bob Dylan as Filmmaker by Sean Rogers

*Super-Ornithologist: João Pedro Rodrigues’ Birdman by Robert Koehler

*The Working Hour: Salomé Lamas’ Eldorado XXI by Michael Sicinski

The Cost of Reparations: An Interview With Alanis Obomsawin by Steve Macfarlane

Doesn’t Have to Be a Tome”: Kelly Reichardt’s Certain Women by Angelo Muredda

*Something, Everything: Manuela De Laborde on AS WITHOUT SO WITHIN by Blake Williams

SPOTLIGHT: FALL FESTIVAL HIGHLIGHTS

*Rat Film by Jordan Cronk

*Austerlitz by Jay Kuehner

By the Time It Gets Dark by James Lattimer

*Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau by Adam Nayman

Donald Cried by Celluloid Liberation Front

Free Fire by Julien Allen

*Kékszakállú by José Teodoro

Le quadrille, Aux quatre coins, and Le divertissement: Three Short Films by Jacques Rivette by Christopher Small

COLUMNS

*Editor’s Note

*Film/Art: La Biennale de Montréal by Andréa Picard

*Global Discoveries on DVD by Jonathan Rosenbaum

DVD Bonus: The Herschell Gordon Lewis Feast by Michael Atkinson

 

EXPLODED VIEW

Gary Beydler’s Mirror by Chuck Stephens

WEB ONLY

*Moonlight by Phil Coldiron

Northern Exposure: Future//Present at VIFF by Jordan Cronk

CURRENCY

*Jackie by Adam Nayman

La La Land by Alicia Fletcher

Fire at Sea by Samuel La France

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From the Magazine

  • Cinema Scope 80 Table of Contents

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  • No God But the Unknown: Pietro Marcello and Maurizio Braucci on Martin Eden

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  • I See a Darkness: Pedro Costa on Vitalina Varela

    A moving study of mourning and memory, Pedro Costa’s revelatory new film offers an indelible portrait of Vitalina Taveres Varela, a fragile yet indomitable woman who makes the long voyage from Cape Verde to Lisbon to attend her estranged husband’s funeral, but misses the event itself because of cruel bureaucratic delays. More →

  • Woman on the Verge of a Nervous Breakdown: Kazik Radwanski’s Anne at 13,000 ft

    The prospect of spending an hour and a half with people lacking in notable virtue, alluring vice, or any apparent interest, may seem like an unproductive exercise in forced empathy—but consider this skepticism a function, as opposed to a fault, of these tightly orchestrated, seemingly soporific character studies. More →

  • For a Cinema of Bombardment

    Although there have always been intrepid critics and cinephiles who have engaged with films belonging to the non-narrative avant-garde, there has existed a perception that such films, operating as they do on somewhat different aesthetic precepts, could be considered a separate cinematic realm, one that even the most dutiful critic could engage with or not, as he or she saw fit. More →