Cinema Scope Issue 85 Table of Contents
FEATURES
The Play for Tomorrow: Steve McQueen’s Small Axe by Michael Sicinski
The Crowd is Dead, Long Live the Crowd! by Erika Balsom
All the Fountains of the Great Deep: Artavazd Pelechian’s La Nature by Phil Coldiron
Minority Report: Armond White Wants to Make Spielberg Great Again by Adam Nayman
F for Fake: Mank by Andrew Tracy
Minimalist Maximalism: The Hilarious Horror of Don Hertzfeldt’s World of Tomorrow by Christoph Huber
I Thought I Was Seeing Palestinians: On Kamal Aljafari by Kaleem Hawa
The Limbs of Satan: A Century of Flappers on Film by Alicia Fletcher
Juliet Berto, où êtes vous? by Steve Macfarlane
FALL FESTIVAL SPOTLIGHT
Beginning by Lawrence Garcia
The Calming by Courtney Duckworth
City Hall by Josh Cabrita
Genus Pan by Jesse Cumming
Her Socialist Smile by Jordan Cronk
Inconvenient Indian and Trickster by Gabrielle Marceau
There Are Not Thirty-Six Ways of Showing a Man Getting on a Horse by Devika Girish
COLUMNS
Editor’s Note by Mark Peranson
Film/Art | Slow Reading by Haden Guest
Books | Auditorium of the Head: JG Ballard in (and on) Cinema by Celluloid Liberation Front
Global Discoveries on DVD by Jonathan Rosenbaum
Exploded View | Michael Snow’s Cover to Cover by Chuck Stephens
CURRENCY
Nomadland by Robert Koehler
Hillbilly Elegy by Darren Hughes
Another Round by Angelo Muredda
Borat Subsequent Moviefilm: Delivery of Prodigious Bribe to American Regime for Make Benefit Once Glorious Nation of Kazakhstan by Brendan Boyle
Cinema Scope