Cinema Scope 82: Table of Contents
Interviews
A State of Uncertainty: Tsai Ming-liang on Days by Darren Hughes
New Possible Realities: Heinz Emigholz on The Last City by Jordan Cronk
This Dream Will Be Dreamed Again: Luis López Carrasco’s El año del descubrimiento by James Lattimer
Out of the Inkwell: Kim Deitch on Reincarnation Stories by Sean Rogers
Features
Impresión de un cineasta: On the Films of Camilo Restrepo by Jay Kuehner
The Oral Cinema of Sergio Citti by Celluloid Liberation Front
Rabbit, Run: Elem Klimov’s Come and See by Angelo Muredda
Vagabond: The Films of Patricia Mazuy by Lawrence Garcia
Spotlight: The Decade in Canadian Cinema
Long Live the New Flesh: The Decade in Canadian Cinema by Adam Nayman
Jodie Mack by Sofia Bohdanowicz
Corneliu Porumboiu by Antoine Bourges
Jean-Luc Godard by Andrea Bussmann
Sergei Loznitsa by Atom Egoyan
Jafar Panahi by Hugh Gibson
Caveh Zahedi by Matt Johnson
Steven Spielberg by Isiah Medina
Angela Schanelec by Kazik Radwanski
Lucrecia Martel by Lina Rodriguez
Jem Cohen by Brett Story
Amanda Kernell by Elle-Máijá Tailfeathers
Ang Lee by Blake Williams
Columns
Editor’s Note: Best of the Decade
Film/Art
Against Mythomania: The Expanded Cinema of Valie Export by Lucy Brady
TV or Not TV
Exit, Pursued by a Fox: Phoebe Waller-Bridge’s Fleabag by Alicia Fletcher
Festivals
Sundance by Robert Koehler
Global Discoveries on DVD by Jonathan Rosenbaum
Exploded View: Gregory Zinman’s Making Images Move by Chuck Stephens
Currency
Beanpole by Michael Sicinski
And Then We Danced by Katherine Connell
Murmur by Josh Cabrita
The Assistant by Chloe Lizotte
Saint Maud by Jason Anderson
Web Only
Discrete Charms: Rotterdam’s Tiger Short Competition by Phil Coldiron
Cinema Scope