Midnight Madness
By Alexandra Zawia Sono Sion’s cinema is marked by disproportion. Taking great pleasure in busting through form and conventions, his films are often regarded as being “too” everything: too loud, too violent, too implausible, etc. Why Don’t You Play in Hell? is all that, and much more. Its entertainment value defies any rational analysis, and…
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By Violeta Kovacsics One is tempted to see The Station as a sort of remake of The Thing, as the landscape is quite similar to that of John Carpenter’s Arctic classic, and so is the plot: a group of people working in a snowy weather station in the middle of the Alps are threatened by…
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By Kiva Reardon “Men in their 20s are the worst thing happening on our planet,” said comedian Rob Delaney; given the evidence of Afflicted, the debut feature from Derek Lee and Clif Prowse, the same could be said of cinema. A horror film that unfortuntately lacks any real dread, gore or suspense, Afflicted follows filmmaking…
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