Ben Wheatley
High-Rise (Ben Wheatley, UK)
By Tom Charity | 09/22/2015 | CS64, Currency, From Cinema Scope Magazine
By Tom Charity “Later, as he sat on his balcony eating the dog, Dr. Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months.” That, friends, is an opening sentence: J.G. Ballard at his best. And damn if Ben Wheatley doesn’t find just the…
Read More → TIFF 2013 | A Field in England (Ben Wheatley, UK)—Wavelengths
By Tom Charity | 09/08/2013 | Cinema Scope Online, TIFF 2013
By Tom Charity “Open up and let the devil in!” With four movies in four years, Ben Wheatley seems set on giving Michael Winterbottom a run for his money as the most prolific filmmaker in Britain, and the devil take the hindmost. Unlike the versatile and self-effacing Winterbottom, however, Wheatley immediately stamped a distinctive authorial signature…
Read More → TIFF Preview -1: Blackbird | Born to Hate… Destined to Love | Dead Europe | Fill the Void | Janeane from Des Moines | Laurence Anyways | Lines of Wellington | La Sirga | Sightseers | Thérèse Desqueyroux
By cscope2 | 09/05/2012 | Cinema Scope Online, TIFF 2012
Blackbird (Jason Buxton, Canada)—Discovery By Kiva Reardon The first film from Canadian director Jason Buxton is not without flaws, but it is these very problems which make it all the richer and beguiling, as it’s difficult to tell whether they are inadvertent or exacting and calculated. Set in the fictional rural town of Eastport—a perfect…
Read More → Hammer Horror: Ben Wheatley’s Kill List
By Adam Nayman | 12/20/2011 | CS49, From Cinema Scope Magazine, Interviews
By Adam Nayman MAJOR SPOILERS AHEAD The claw hammer that makes mulch of an amateur pornographer’s skull in the midpoint money shot of Kill List is a blunt instrument wielded with purpose. It’s the perfect avatar for Ben Wheatley’s style in his astonishing second feature. Working with cinematographer Laurie Rose and editor Robin Smith, both…
Read More → TIFF Countdown -2: Martha Marcy May Marlene / Afghan Luke / ALPS / The Artist / Beauty / Fable of the Fish / First Position / The Ides of March / Kill List / Le Havre / The Loneliest Planet / Page Eight / Pina / Play / A Separation / Sons of Norway / The Student / Tyrannosaur
By cscope2 | 09/06/2011 | Cinema Scope Online, TIFF 2011
Cinema Scope 48 Preview: Martha Marcy May Marlene (Sean Durkin, US)—Special Presentations By Andrew Tracy If “indie-ness” conveys a certain generic intimation unto itself, some of the most celebrated recent independent films have also strategically adopted broader generic tactics, usually related to violence. As sensation, whether shockingly enacted or tautly withheld, has started to become…
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