Jonathan Rosenbaum looks at The Hunter by Rafi Pitts

We’ve just added Jonathan’s piece to the web archive for issue 46.

“Underneath the Persian credits, over heavy metal music, the camera roams around inside a colour photograph, grazing over pointillist surfaces and male faces—finally pulling back to reveal the Islamic Revolution Guard Corps in 1983, getting ready to drive their motorcycles over a huge replica of the American flag on the pavement in front of them. Cut to black and the film’s title, The Hunter.”

Read the full article here >

More from the Magazine