Like most of his colleagues in recent Argentinean cinema, Matías Piñeiro is a graduate from the Universidad del Cine, and, like many of them, works outside the national funding system. Born in 1982 in Buenos Aires, Piñeiro, despite three features (El hombre robado, 2007; Todos mienten, 2009; Viola, 2012) and a 40-minute film commissioned for…