By Adam Nayman [SPOILERS, as they say, below.] In space, apparently, no one can hear you scream “Cut!” That’s the sensibility of Alfonso Cuarón’s Gravity, which unravels its tale of two astronauts stranded outside their damaged shuttle in a series of gossamer-glossy long takes, with perilously dangling (digital) camera movements courtesy Cuarón’s house DP Emmanuel…

By Alexandra Zawia To start with the obvious, the visuals in Gravity are impeccable, which is not due simply to the presence of virtuoso cinematographer Emmanuel Luzbeki—Alfonso Cuarón understands the spatial possibilities of the frame. Characteristically using reflections to add depth to an image, he finds himself an a priori amplified playground in a film…