The latest film by Martín Rejtman reaffirms his singular place in Argentine and world cinema as one of the rare non-mainstream auteurs working today, with brio and invention, in the realm of comedy.

By Quintín The Club, the fourth feature by Pablo Larraín, is set in a small town in coastal Chile. There’s an unassuming house in this town that the Catholic Church runs as an open prison for priests who have committed serious crimes, sheltering them from the prying eyes of society. One priest (Father Vidal) is…