Bret Easton Ellis
Pretending That Life Has No Meaning: Paul Schrader’s The Canyons
By Phil Coldiron | 06/26/2013 | CS55, Features, From Cinema Scope Magazine
By Phil Coldiron It starts with a look. And then another, and another, and before you know it 90 minutes have gone by in a rush of looks, because that’s all anyone does in Los Angeles—they look. The fact of it is that most of this looking is at the back of someone else’s car…
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