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Cinema Scope Issue 91 | Table of Contents

By Cinema Scope

Wippet Good: A Conversation Between Don McKellar and David Cronenberg on “Crimes of the Future”

By Lawrence Garcia

Send in the Clowns: Qiu Jiongjiong on “A New Old Play”

By Shelly Kraicer

Gross Anatomy: Véréna Paravel & Lucien Castaing-Taylor on “De Humani Corporis Fabrica”

By Blake Williams

Endless Night: “Dark Glasses” and the Remnants of Dario Argento’s Mad Poetry of Terror

By Christoph Huber

The Natives Are Restless: Cannes’ Diamond Jubilee and Albert Serra’s “Pacifiction”

By Mark Peranson

Stars at Noon (Claire Denis, France)

By Giovanni Marchini Camia

EO (Jerzy Skolimowski, Poland/Italy)

By Jordan Cronk

CS91 Editor’s Note

By Mark Peranson

Canadiana | A Cinema of Care: The Films of Janis Cole and Holly Dale

By Cayley James

Deaths of Cinema | In Transit: Jim Jennings (1951-2022)

By Michael Sicinski

Global Discoveries on DVD: Lessons in Oppression

By Jonathan Rosenbaum
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A Bridge Too Far: James Vaughan’s Friends and Strangers

By Chloe Lizotte
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Breathing Chasms: Rita Ferrando’s Ikebana

By Saffron Maeve
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TIFF 2021 | The Other Tom (Rodrigo Plá, Laura Santullo, Mexico/USA)

By Angelo Muredda
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TIFF 2021 | One Second (Zhang Yimou, China)

By Shelly Kraicer
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TIFF 2021 | Murina (Antoneta Alamat Kusijanović, Croatia)

By Madeleine Wall
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TIFF 2021 | The Devil’s Drivers (Mohammed Abugeth & Daniel Carsenty, Qatar/France/Lebanon/Germany)

By Katherine Connell
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TIFF 2021 | Dashcam (Rob Savage, UK)

By Corey Atad
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TIFF 2021 | Bergman Island (Mia Hansen-Løve, France)

By Jay Kuehner
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TIFF 2021 | France (Bruno Dumont, France)

By Lawrence Garcia
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TIFF 2021 | Spencer (Pablo Larraín, UK/Germany)

By Jay Kuehner
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TIFF 2021 | A Hero (Asghar Farhadi, Iran)

By Jay Kuehner
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TIFF 2021 | Sundown (Michel Franco, Mexico)

By Adam Nayman
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