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Cinema Scope Issue 89 | Table of Contents

By Cinema Scope

Higher Power: Paul Verhoeven’s Benedetta and the Legacy of Nunsploitation

By Christoph Huber

Too Good at Goodbyes: The Souvenir Part II and Joanna Hogg’s Cinema of Memory

By Katherine Connell

The Flower and the Braided Rope: Jane Campion’s The Power of the Dog

By Michael Sicinski

In a Year of Six Kostrovs

By Christopher Small

El Gran Movimiento (Kiro Russo, Bolivia/France/Qatar/Switzerland)

By Jay Kuehner

A Night of Knowing Nothing (Payal Kapadia, India/France)

By Erika Balsom

Outside Noise (Ted Fendt, Germany/South Korea/Austria)

By Lawrence Garcia

CS89 Editor’s Note

By Mark Peranson

Film/Art | Musique concrète: Lucy Raven at Dia

By Phil Coldiron

Global Discoveries on DVD: Deliveries of Smart Dialogue by Dieterle and Others

By Jonathan Rosenbaum

The Tragedy of Macbeth (Joel Coen, US)

By Robert Koehler

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TIFF 2021 | The Other Tom (Rodrigo Plá, Laura Santullo, Mexico/USA)

By Angelo Muredda
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TIFF 2021 | One Second (Zhang Yimou, China)

By Shelly Kraicer
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TIFF 2021 | Murina (Antoneta Alamat Kusijanović, Croatia)

By Madeleine Wall
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TIFF 2021 | The Devil’s Drivers (Mohammed Abugeth & Daniel Carsenty, Qatar/France/Lebanon/Germany)

By Katherine Connell
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TIFF 2021 | Dashcam (Rob Savage, UK)

By Corey Atad
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TIFF 2021 | Bergman Island (Mia Hansen-Løve, France)

By Jay Kuehner
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TIFF 2021 | France (Bruno Dumont, France)

By Lawrence Garcia
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TIFF 2021 | Spencer (Pablo Larraín, UK/Germany)

By Jay Kuehner
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TIFF 2021 | A Hero (Asghar Farhadi, Iran)

By Jay Kuehner
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TIFF 2021 | Sundown (Michel Franco, Mexico)

By Adam Nayman
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TIFF 2021 | Zalava (Arsalan Amiri, Iran)

By Madeleine Wall
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TIFF 2021 | Three Minutes – A Lengthening (Bianca Stigter, Netherlands/UK)

By Jay Kuehner
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