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Cinema Scope 97 Table of Contents

By Ed

Issue 97 Editor’s Note

By Ed

Face the Music: Hamaguchi Ryusuke on “Evil Does Not Exist”

By Beatrice Loayza

Your Own Hall of Fame: Alex Ross Perry on “Videoheaven” and “Pavements”

By Adam Nayman

Objects of Desire: Rodrigo Moreno on “The Delinquents”

By Jordan Cronk

From the Vision to the Nail in the Coffin, and the Resurrection: Dimitris Athiridis on “exergue – on documenta 14”

By Antoine Thirion

Last of the Independents: A Roundtable on “Charley Varrick” with Veronika Franz and Severin Fiala

By Christoph Huber

Deep Cuts: The First International Women’s Film Seminar

By Erika Balsom

Open Source: Some Films by Ross Meckfessel

By Phil Coldiron

Film Tourists in Los Angeles

By Thom Andersen

Out of Time: The Videos of Tulapop Saenjaroen

By Jesse Cumming

The Sense of the Past: Terence Davies (1945–2023)

By Lawrence Garcia

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Editor’s Note

By Mark Peranson

TIFF 2023 | 100 Yards (Xu Haofeng, Xu Junfeng, China) — Centrepiece

By Shelly Kraicer

TIFF 2023 | A Happy Day (Hisham Zaman, Norway/Denmark) — Centrepiece

By Gabrielle Marceau

TIFF 2023 | A Normal Family (Hur Jin-ho, South Korea) — Gala Presentations

By Michael Sicinski

TIFF 2023 | A Road to a Village (Nabin Subba, Nepal) — Centrepiece

By Winnie Wang

TIFF 2023 | Achilles (Farhad Delaram, Iran/Germany/France) — Discovery

By Angelo Muredda

TIFF 2023 | After the Fire (Mehdi Fikri, France) — Discovery

By Lawrence Garcia

TIFF 2023 | American Fiction (Cord Jefferson, US) — Special Presentations

By Adam Nayman

TIFF 2023 | Anatomy of a Fall (Justine Triet, France) — Special Presentations

By Aurelie Godet

TIFF 2023 | Backspot (D.W. Waterson, Canada) — Discovery

By Angelo Muredda

TIFF 2023 | Banel & Adama (Ramata-Toulaye Sy, France/Senegal/Mali) — Centerpiece

By Madeleine Wall

TIFF 2023 | The Beast (Bertrand Bonello, France/Canada) — Special Presentations

By Jordan Cronk