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Cinema Scope Issue 97
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Cinema Scope 97 Table of Contents
By
Ed
Issue 97 Editor’s Note
By
Ed
Face the Music: Hamaguchi Ryusuke on “Evil Does Not Exist”
By
Beatrice Loayza
Your Own Hall of Fame: Alex Ross Perry on “Videoheaven” and “Pavements”
By
Adam Nayman
Objects of Desire: Rodrigo Moreno on “The Delinquents”
By
Jordan Cronk
From the Vision to the Nail in the Coffin, and the Resurrection: Dimitris Athiridis on “exergue – on documenta 14”
By
Antoine Thirion
Last of the Independents: A Roundtable on “Charley Varrick” with Veronika Franz and Severin Fiala
By
Christoph Huber
Deep Cuts: The First International Women’s Film Seminar
By
Erika Balsom
Open Source: Some Films by Ross Meckfessel
By
Phil Coldiron
Film Tourists in Los Angeles
By
Thom Andersen
Out of Time: The Videos of Tulapop Saenjaroen
By
Jesse Cumming
The Sense of the Past: Terence Davies (1945–2023)
By
Lawrence Garcia
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Editor’s Note
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Mark Peranson
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TIFF 2023 | 100 Yards (Xu Haofeng, Xu Junfeng, China) — Centrepiece
By
Shelly Kraicer
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TIFF 2023 | A Happy Day (Hisham Zaman, Norway/Denmark) — Centrepiece
By
Gabrielle Marceau
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TIFF 2023 | A Normal Family (Hur Jin-ho, South Korea) — Gala Presentations
By
Michael Sicinski
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TIFF 2023 | A Road to a Village (Nabin Subba, Nepal) — Centrepiece
By
Winnie Wang
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TIFF 2023 | Achilles (Farhad Delaram, Iran/Germany/France) — Discovery
By
Angelo Muredda
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TIFF 2023 | After the Fire (Mehdi Fikri, France) — Discovery
By
Lawrence Garcia
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TIFF 2023 | American Fiction (Cord Jefferson, US) — Special Presentations
By
Adam Nayman
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TIFF 2023 | Anatomy of a Fall (Justine Triet, France) — Special Presentations
By
Aurelie Godet
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TIFF 2023 | Backspot (D.W. Waterson, Canada) — Discovery
By
Angelo Muredda
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TIFF 2023 | Banel & Adama (Ramata-Toulaye Sy, France/Senegal/Mali) — Centerpiece
By
Madeleine Wall
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TIFF 2023 | The Beast (Bertrand Bonello, France/Canada) — Special Presentations
By
Jordan Cronk
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