Phoebe Chen
Suburban Birds (Qiu Sheng, China)
By Phoebe Chen | 11/14/2019 | Cinema Scope Online
By Phoebe Chen Suburban Birds screens at TIFF Bell Lightbox on Thursday, November 14 as part of MDFF Selects: Presented by Cinema Scope and TIFF. In the grip of this terrestrial life, nothing works so well as a sinkhole to bare the subterranean tremors of our weird planet. You have seen these pictures seized and…
Read More → Silence and Presence: Chantal Akerman’s My Mother Laughs
By Phoebe Chen | 09/25/2019 | Books, Columns, CS80, From Cinema Scope Magazine
By Phoebe Chen For certain filmmakers—attractive women—there is a popular kind of on-set photo that telegraphs authority: one eye pressed to the viewfinder of some behemoth camera, she is caught in a contra-glamour shot that codes the pragmatic as cool. Naturally, there is one of Chantal Akerman, taken some time in the late ’70s—shaggy-haired and…
Read More → Henry Glassie: Field Work (Pat Collins, Ireland) — Contemporary World Cinema
By Phoebe Chen | 09/12/2019 | Cinema Scope Online, TIFF 2019
By Phoebe Chen Pat Collins’ Henry Glassie: Field Work follows the folkloric practices of its title subject, an emeritus professor at Indiana University who has spent the past 50 years in decade-long sojourns with folk artists across various continents. That a white, American ethnographer should be the ideal interlocutor for communities of craftspeople in rural…
Read More → Landscape without Figures: Helena Wittmann’s Drift and Sofia Bohdanowicz’s The Soft Space
By Phoebe Chen | 03/11/2019 | Cinema Scope Online
By Phoebe Chen Helena Wittmann’s Drift screens with Sofia Bohdanowicz’s The Soft Space at TIFF Bell Lightbox on Thursday, March 14 as part of MDFF Selects: Presented by Cinema Scope and TIFF. Creation myths have a suspect, anthropocentric charm—supposedly, the cosmos heaves, slow and indifferent, until one day, it makes itself amenable to human narration.…
Read More →