Cinema Scope | Mark Asch

Author

Mark Asch

The Laundromat (Steven Soderbergh, US) — Special Presentations

By Mark Asch In Cinema Scope Online, TIFF 2019

Proxima ( Alice Winocour, Germany/France) — Platform

By Mark Asch In Cinema Scope Online, TIFF 2019

The County (Grímur Hákonarson, Iceland/Denmark/Germany/France) — Contemporary World Cinema

By Mark Asch In Cinema Scope Online, TIFF 2019

1982 (Oualid Mouaness, US/Lebanon/Norway/Qatar) — Discovery

By Mark Asch In Cinema Scope Online, TIFF 2019

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From the Magazine
- Cinema Scope Issue 85 Table of Contents
  
  FEATURES The Play for Tomorrow: Steve McQueen’s Small Axe by Michael Sicinski The Crowd is Dead, Long Live the Crowd! by
- The Play for Tomorrow: Steve McQueen’s Small Axe
  
  By Michael Sicinski One of the best known of Steve McQueen’s early video works is Deadpan (1997), a four-minute, 35-second
- The Crowd Is Dead, Long Live the Crowd!
  
  Les misérables By Erika Balsom for RMC 1. It was a total coincidence and yet it felt freighted with meaning:
- All the Fountains of the Great Deep: Artavazd Pelechian’s La Nature
  
  By Phil Coldiron Artists who write clearly about their work run a serious risk: that they will be taken at
- Minority Report: Armond White Wants to Make Spielberg Great Again
  
  By Adam Nayman The “About the Author” section of Armond White’s new critical anthology does not disappoint. In the space

Cinema Scope Issue 85 Table of Contents

FEATURES The Play for Tomorrow: Steve McQueen’s Small Axe by Michael Sicinski The Crowd is Dead, Long Live the Crowd! by Erika Balsom All the Fountains More →
The Play for Tomorrow: Steve McQueen’s Small Axe

By Michael Sicinski One of the best known of Steve McQueen’s early video works is Deadpan (1997), a four-minute, 35-second loop in which the artist More →
The Crowd Is Dead, Long Live the Crowd!

Les misérables By Erika Balsom for RMC 1. It was a total coincidence and yet it felt freighted with meaning: when I returned to the More →
All the Fountains of the Great Deep: Artavazd Pelechian’s La Nature

By Phil Coldiron Artists who write clearly about their work run a serious risk: that they will be taken at their word. In much of More →
Minority Report: Armond White Wants to Make Spielberg Great Again

By Adam Nayman The “About the Author” section of Armond White’s new critical anthology does not disappoint. In the space of four short paragraphs, White More →