From the Magazine

• Silence (Martin Scorsese, US/Taiwan/Mexico)
  

  By Andrew Tracy  Silence is Martin Scorsese’s best film in 20 years—since Kundun (1997), in fact, which also happens to be the last of his More →

• Exploded View: Will Hindle’s Billabong
  

    By Chuck Stephens  Shreveport, Louisiana-born experimental filmmaker Will Hindle (1929–1987) did two tours in the Army during the ’50s, and worked as a cartoonist More →

• Global Discoveries on DVD: Clarifications and Spring Cleaning
  

    By Jonathan Rosenbaum  Probably the most important DVD release of last year, inexplicably overlooked by me when I made out my lists for Sight More →

• Deaths of Cinema | Nothing Will Die: John Hurt, 1940–2017 
  

  By Adam Nayman  It’s all in the wrist. Buried beneath layers of latex as John Merrick in David Lynch’s The Elephant Man (1980), the only More →

• Berlin: Bright Nights and Non-Events
  

  Arriving like a breath of fresh air five days into the 67th Berlinale, Thomas Arslan’s Bright Nights salvaged what was by all accounts was another typically lacklustre Competition lineup. More →