Cinema Scope | Antoine Thirion

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Antoine Thirion

By Antoine Thirion In 50 Best FIlmmakers Under 50, CS50, From The Magazine

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From the Magazine
- Cinema Scope 74 Contents
  
  INTERVIEWS *Paul Schrader: Deliberate Boredom in the Church of Cinema. By Alex Ross Perry. Community/Theatre: A Conversation with Stephen Cone.
- The Work (Jairus McLeary & Gethin Aldous, US)
  
  By Manuela Lazic Early on in The Work, a documentary chronicling intense group therapy techniques practiced inside Folsom State Prison
- Visages villages (Agnès Varda & JR, France)
  
  By Erika Balsom The Normandy village of Pirou-Plage almost became a holiday destination. In 1990, property developer Pier Invest launched
- Exploded View: Bruce Conner’s Crossroads
  
  By Chuck Stephens How many names can you call Bruce Conner? Surrealist, beat, prankster, poet, illustrator, assemblagist, filmmaker, punk. Spray-paint
- Canadiana | Hometown Horror: Robin Aubert’s Les affamés
  
  By Lydia Ogwang It’s an epidemic: the populist appeal of genre cinema is undeniable, even here at home. In a

Cinema Scope 74 Contents

INTERVIEWS *Paul Schrader: Deliberate Boredom in the Church of Cinema. By Alex Ross Perry. Community/Theatre: A Conversation with Stephen Cone. By Blake Williams. *Whatever Happened More →
The Work (Jairus McLeary & Gethin Aldous, US)

By Manuela Lazic Early on in The Work, a documentary chronicling intense group therapy techniques practiced inside Folsom State Prison outside of Sacramento, California, a More →
Visages villages (Agnès Varda & JR, France)

By Erika Balsom The Normandy village of Pirou-Plage almost became a holiday destination. In 1990, property developer Pier Invest launched a plan to build a More →
Exploded View: Bruce Conner’s Crossroads

By Chuck Stephens How many names can you call Bruce Conner? Surrealist, beat, prankster, poet, illustrator, assemblagist, filmmaker, punk. Spray-paint anything you like across Conner’s More →
Canadiana | Hometown Horror: Robin Aubert’s Les affamés

By Lydia Ogwang It’s an epidemic: the populist appeal of genre cinema is undeniable, even here at home. In a bit of a surprise, Robin More →