By Adam Nayman It’s all in the wrist. Buried beneath layers of latex as John Merrick in David Lynch’s The More →
Current Issue
From the Magazine
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Deaths of Cinema | Nothing Will Die: John Hurt, 1940–2017
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Berlin: Bright Nights and Non-Events
Arriving like a breath of fresh air five days into the 67th Berlinale, Thomas Arslan’s Bright Nights salvaged what was by all accounts was another typically lacklustre Competition lineup. More →
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Sundance (II): A Few Useful Details
By Jay Kuehner At a Q&A after a well-received screening of Eliza Hittman’s film Beach Rats, which earned her the More →
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Film/Art | Indeed, We Know: On the Video Art of Elizabeth Price
By Blake Williams “All the things she does, written in her diary But when the day is done, she cannot More →
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Common Boston: Dennis Lehane on Screen
By Sean Rogers “He knows how to pace a story. He isn’t a great novelist. He’s a craftsman, but every More →
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Deaths of Cinema | Nothing Will Die: John Hurt, 1940–2017
