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Cinema Scope Magazine 92
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Watching the Watchers: Joële Walinga’s Self-Portrait
By
Emerson Goo
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The Fabelmans (Steven Spielberg, US)
By
Adam Piron
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TIFF 2022 | Sparta (Ulrich Seidl, Austria/France/Germany) — Contemporary World Cinema
By
Mike Thomas
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TIFF 2022 | All Too Well: The Short Film (Taylor Swift, US) — In Conversation With…)
By
Michael Sicinski
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TIFF 2022 | Women Talking (Sarah Polley, Canada) — Special Presentations
By
Winnie Wang
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TIFF 2022 | Nightalk (Donald Shebib, Canada) — Contemporary World Cinema
By
Adam Nayman
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TIFF 2022 | The Menu (Mark Mylod, US) — Special Presentation
By
Madeleine Wall
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TIFF 2022 | Hawa (Maïmouna Doucouré, France) — Platform
By
Saffron Maeve
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TIFF 2022 | The People’s Joker (Vera Drew, US) — Midnight Madness
By
Will Sloan
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TIFF 2022 | Sanctuary (Zachary Wigon, US) — Special Presentations
By
Josh Lewis
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TIFF 2022 | All Quiet on the Western Front (Edward Berger, Germany) — Special Presentations
By
Josh Lewis
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TIFF 2022 | Empire of Light (Sam Mendes, UK/US) — Special Presentations
By
Meg Shields
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