Festival de Cannes

CS91 Editor’s Note

It’s that time again. Over the last two decades in these pages I’ve spent way too much time (at great personal anguish) trying to come to grips with the experience of the Festival de Cannes even if by this point in the history of film journalism, a few weeks after the fact everything anyone could say about Cannes has already been said. But I know that many readers take vicarious pleasure from reading my report, so as long as we keep going, or until Cannes hires me, I guess I’m stuck doing it. 
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