By Celluloid Liberation Front

Rossellini’s War Trilogy: Neorealism or Historical Revisionism?

By Celluloid Liberation Front Two years before Roberto Rossellini started shooting Rome, Open City on January 18, 1945, the famed Italian director had just completed another war trilogy. Inaugurated with the 1941 navy flick The White Ship, followed a year later by A Pilot Returns, and crowned in 1943 with Man of the Cross, the…
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