Just past the midpoint of Alexandre Koberidze’s What Do We See When We Look at the Sky? the narrative pauses for a five-minute montage of children playing European football on the blacktop of a fenced-in basketball court. Accompanied by Gianna Nannini’s 1990 FIFA World Cup anthem “Un’estate italiana,” the scene, which plays out entirely in slow motion, is at once part and parcel of this highly musical film’s many interludes and the most conspicuous of its untold number of narrative culs de sac.