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Cinema Scope Issue 92 | Table of Contents

By cscope2

Take These Broken Wings: Kelly Reichardt on “Showing Up”

By Adam Nayman

Timely Circumstances: Cyril Schäublin on “Unrest”

By Jay Kuehner

What Is Cinema? Olivier Assayas on “Irma Vep”

By Beatrice Loayza

Telling the Truth Can Be Dangerous Business: The Overdue Enshrinement of Elaine May

By Christoph Huber

Can the Centre Hold?: The Films of Adirley Queirós

By James Lattimer

Cinema Scope Magazine 92: Editor’s Note

By Mark Peranson

TV or Not TV | Finding Fielder: “The Rehearsal”

By Kate Rennebohm

Global Discoveries on DVD: Bologna’s Bounty

By Jonathan Rosenbaum

Film/Art | Evidence Visible from a Distance: Tacita Dean on Fata Morgana

By Antoine Thirion

Aftersun (Charlotte Wells, UK/US)

By Jason Anderson

Alcarràs (Carla Simón, Spain/Italy)

By Saffron Maeve

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TIFF 2022 | Sparta (Ulrich Seidl, Austria/France/Germany) — Contemporary World Cinema

By Mike Thomas

TIFF 2022 | All Too Well: The Short Film (Taylor Swift, US) — In Conversation With…)

By Michael Sicinski

TIFF 2022 | Women Talking (Sarah Polley, Canada) — Special Presentations

By Winnie Wang

TIFF 2022 | Nightalk (Donald Shebib, Canada) — Contemporary World Cinema

By Adam Nayman

TIFF 2022 | The Menu (Mark Mylod, US) — Special Presentation

By Madeleine Wall

TIFF 2022 | Hawa (Maïmouna Doucouré, France) — Platform

By Saffron Maeve

TIFF 2022 | The People’s Joker (Vera Drew, US) — Midnight Madness

By Will Sloan

TIFF 2022 | Sanctuary (Zachary Wigon, US) — Special Presentations

By Josh Lewis

TIFF 2022 | All Quiet on the Western Front (Edward Berger, Germany) — Special Presentations

By Josh Lewis

TIFF 2022 | Empire of Light (Sam Mendes, UK/US) — Special Presentations

By Meg Shields

TIFF 2022 | Pearl (Ti West, US) — Midnight Madness

By Saffron Maeve

TIFF 2022 | Sick (John Hyams, US) — Midnight Madness

By Josh Lewis