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…YouTube results for “Alton Sterling” total more than five million views, and include uploads by ABC, CBS, and CNN. The fidgety cameraman filmed by Akomfrah at Mrs. Jarrett’s funeral finds…
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…ingenious, uncanny, and playful trompe l’oeil vignettes via meticulously constructed, three-dimensional 1:1-scale cardboard architectural models, the 100-second-long video derives its mise en scène from a viral Youtube clip of footage…
Read More…predictably filed out already and missed this crucial slice of the film, which capped an audio montage that contained the laments of several citizens. These complaints fill out a study…
Read More…may not be real). In The Feature, Auder tells us that the “documentary footage seems to be real, and is real, but is not real.” Not real, never was real,…
Read More…getting out of Willet’s Point any time soon—also suggest that for all of Ale’s struggles, he retains a capacity for joy and wonder. If such things can exist in this…
Read More…the cars. I suspect the oil cars are still all about hauling oil. And the trains that are loading automobiles you can tell because they have metal cars with little…
Read More…first feature by Italian Carlo Sironi. Ermanno (Claudio Segaluscio) is a young man who spends his time engaged… Read More → Clifton Hill (Albert Shin, Canada) – Special Presentations By…
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…looking at something. I actually want to exercise as much control as I can over my material, and my calculation is that the shorter and more compact the material is,…
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…a cheat. Hard Core Logo II is not only not about the seminal fake Canadian punk band Hard Core Logo, it’s also not about the not-at-all seminal real Canadian pop-punk…
Read More…around him, including Irene, who can nevertheless only marvel at him while knowing she can never have him. This is vastly different from Melville’s heightened existential world of professional killers…
Read More…always shown an uncanny knack for carving sculptural compositions out of the natural environment, and the beginning of Let Each One, while somewhat more frontal and flattened than other of…
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…Midnight Madness By Josh Cabrita André Øvredal’s The Autopsy of Jane Doe, the follow-up to his witty Trollhunter (2011), is bolstered by the clever conceit that a locked-room mystery can…
Read More…the ecological implications of these and the philosophical implications of ecological change that Godard has raised in recent interviews), and a surprising, almost jubilatory use of experimental cinematic techniques (Oliveira’s…
Read More…North America at what could be the last-ever Toronto International Film Festival, while over at cinema-scope.com right now you can find, oh, let’s say more than 150 or so pieces…
Read More…of deliberate subversion than an organic play between personal and political cultural effects. His films are like anamolous inside jokes that deceptively partake of broader worldviews, wherein a pet gerbil,…
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…of the corrido fuses with the ambient burble and swell all around it; the camera alights on the carved, fish-headed cane of the blind and weathered singer; sunlight dances on…
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…light of this fantasy, cinema’s own encounter with the real affords what Balsom calls “an exemplary ethical encounter with the fragility, alterity, and incalculability of our world.” In other words,…
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…invaluable—albeit lamentably now out of print—two-disc PAL DVD set also including Alexander Sokurov’s Moscow Elegy (1987) and Chris Marker’s One Day in the Life of Andrei Aresenevitch (1999), the latter…
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…family portrait—are a nonetheless apt pair. Both conceptual reflections of a sort, these films plot coordinates between the personal, professional, and political past and present of Porumboiu himself, substantially rewiring…
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…similarly succubal, Tangier-dwelling lady love Eve (Tilda Swinton) early in Only Lovers Left Alive. Zeitgeist be damned, nevertheless it’s fitting that the predominant pop-cultural ghouls of the time be set…
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…salvaging metal scraps by horse and cart for an exploitive boss, but it’s the driving impetus behind Clio Barnard’s kitchen sink portrait of quasi-feral adolescence and life on the marginal…
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…the Toronto International Film Festival). To wit, not the best films of the festival, as who could possibly be equipped to make that assertion, what with so many films on…
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Camp 14: Total Control Zone (Marc Wiese, Germany)—TIFF Docs By Adam Cook Camp 14 is not the most enjoyable film: it’s not easy to watch, it’s slow, and the subject…
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Antiviral (Brandon Cronenberg, Canada)—Special Presentation By John Semley Maybe the most frustrating thing about the debut by David Cronenberg’s twenty-aught son is that calling it “Cronenbergian” doesn’t really work: it’s…
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…central nodes around whom an entire citizenry swirls, When Night Falls, while hardly a conventional melodrama and certainly not without formal innovation, calls upon emotional identification with Mrs. Wang, her…
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…or maybe a note in the killer’s handwriting. Instead, the camera tilts down to reveal a chessboard on the hood of a car. One lawman moves a piece. “Can’t do…
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…confused, or oddly malleable, likely from the physical and emotional exhaustion of having lived on the streets before the filmmakers took her in, ostensibly to care for her, but under…
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…early careers as a film actor and auto racer, and an interview that reveals the autobiographical source of Angelica about 18 years before that film was made. *** At jackieraynaldvds.blogspot.com,…
Read More…in the real-life source material, but also in a closing title card that gives some facts and figures about the literal and human cost of drug trafficking in Mexico) and…
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…festival (International Film Festival of the National Autonomus University of Mexico City, or FICUNAM for short), yielded a handful of archival DVDs from the Filmoteca de la UNAM. Two of…
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…arch-Maoist allegory; a post-socialist or post-capitalist text; a subversive anti-Communist work. Can it be all of these? A brief look at the genre, plot, and characters of the film can…
Read More…and make sport of our disapproval. But there’s always a submerged longing for a deep communal outpouring of real feeling. On the one hand, we get things like internet trolls,…
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…and elaborately detailed and accessible at www.hallucinograms.com. Mays is also his own best critic and chronicler, as his biographical rumination “Mouse Enigma: Auto-History Of A Film Person” (1978-79, reprinted in…
Read More…external confusions: each show played in the same theater in the new Lantern Venster Cinema, far off from the festival centre and always at four in the afternoon (a kind…
Read More…brisk 80 minutes), Oki’s Movie functions as both reflexive auto-critique and an elegantly crafted cinematic/literary object bearing an all-too-pointed theme. Divided into four sections potentially capable of functioning as self-contained…
Read More…who alerted me to this invaluable release, has also posted some helpful remarks about what makes it superior to all previously available versions on his web site: filmjourney.weblogger.com/2010/04/12/earth-1930/. In my…
Read More…both world wars.) Passchendale is also a fairly clear allegory for Canada’s current, increasingly bloody and controversial involvement in Afghanistan and makes rather clear allusions to it. A racist neighbour…
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…this fantasy, cinema’s own encounter with the real affords what Balsom calls “an exemplary ethical encounter with the fragility, alterity, and incalculability of our world.” In other words, while we…
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…words than the current capsule allows—perhaps more than all of this year’s hundreds of brief reviews put together—to adequately account for what comes to fill these expectant frames over the…
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…out to be the filmmaker best suited to capture Ali’s political significance. He had met and filmed Ali back in 1964 for a short called Cassius le grand, but most…
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…the viewer through oral tellings of Jamaica’s history as a country and a culture, prior to and through colonial devastation all the way up to all what Allah takes care…
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…coaching the kids on liberal ideals of citizenship and common respect. There is a casual, easygoing attitude in Bachmann’s class, and although the instructor rarely if ever states it outright,…
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…what one does in a car culture. The car also frequently functions as a sign of desire or a metonym for what can’t be shown, yet there’s a still rarer…
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…cuddle, to kiss, to fuck, because that’s what one does in a car culture. The car also frequently functions as a sign of desire or a metonym for what can’t…
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…when seen in digital form), but also affirms, even redeems, the act of viewing movies as always an experience of the pure present. And yet, Two-Lane Blacktop also explores images…
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…animal. It’s biography as intellectual history, and although it explains quite a bit about where Ottinger and her work came from, Paris Calligrammes is also about a much wider milieu…
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…speakers, I drew first breath in Calcutta”—a bit of biographical background that highlights the fibrous connections that exist between language, self, and place. Along with personal reminiscences and observational commentary,…
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…Goes Down (2014) locates another marginalized habitat in Medellín, where auto salvagers and street jugglers dwell in a symbolically perpetual midday, a vertical limbo in which no shadow is cast….
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…world, all around our lives. In each case we were establishing references for our own improvement and our own teaching. Scope: How did this cultural education relate to your formal…
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…concrete narrative structure, it’s equally impressive how Marcello has integrated his typical use of archival material and expired celluloid stocks into the film’s larger formal organization. Interspersed throughout Martin’s journey…
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…gradually and cumulatively reveal Hogg’s intent. Above all else, and contra Patrick’s blanket dismissal of film school, The Souvenir is about learning: about how a woman with a camera (both…
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…central class issues are to Under Capricorn’s themes and dramaturgy, the movie is already a highly personal and confessional expression on Hitchcock’s part about his working-class Cockney background, perhaps accounting…
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…playing Catherine Breillat’s surrogate in an auto-biopic; is there another actor alive with such auteur cachet?) The script and the acting are nicely complementary of one another throughout; Hansen-Løve’s selection…
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…whereas Driven is a passive construction: Who exactly is driving whom? Hoffman doesn’t need to have a conscience in the film because the real baddy is always already the government….
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…philosophical aims: the grainy, predominantly Super 16mm images insist on a material vision of the world that glows with specificity. Delightfully and unapologetically intellectual, Olivier Assayas’ latest considers the implications…
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…expressly historical and political. In 1917, the International Workers of the World determined that an industrial shutdown of US factories would halt WWI, and targeted Bisbee, centre of American copper…
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…though, the title cards are a conscious homage, but to Something Horizontal. Scope: If you’re going to steal, steal from the best! But what you say about Something Horizontal is…
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By Aurélie Godet Canadian filmmaker Matt Embry is living proof that one can do well despite being stuck with multiple sclerosis, provided that one circumvents the medical establishment’s augur of…
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…distinctive anthropological ethos. The individual works may be highly divergent, but frequent collaboration can and does serve as a check on individual ego, making sure that the SEL’s overriding philosophy…
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…to re-establish order or control, calling attention to the striker. It’s a compelling case, and one that aligns well with Price’s running theme of explaining visual phenomena through her interests…
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…hotel’s guests and its dysfunctional staff. Though predicated on present-day concerns, Occidental features a uniquely indefinable, ahistorical aura; full of fake fireplaces, Neoclassical-era wall art, chintzy special effects, and anachronistic…
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By Shelly Kraicer Hong Kong comic idol Michael Hui defined Hong Kong comedy (and, to a large extent, a specifically local Hong Kong Cantonese identity) in the late 1970s and…
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…time allows cinema to bridge great distances, to spur on existential enquiry, to transcend reality and proffer alternate modes of existence but also, as clichéd or as glib as it…
Read More…uniquely Belgian genius of this masked avenger, including an auto-analytico-biographical ABC in which Rousseau explains it all (cf. the entry on “cagoule”). And the best part is that there’s actual…
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