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Cinema Scope Issue 97
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TIFF 2023 | Mademoiselle Kenopsia (Denis Côté, Canada) — Wavelengths
By
Winnie Wang
TIFF 2023 | Music (Angela Schanelec, Germany/France/Serbia) — Wavelengths
By
Phil Coldiron
TIFF 2023 | Orlando, My Political Autobiography (Paul B. Preciado, France) — Wavelengths
By
Holden Seidlitz
TIFF 2023 | Perfect Days (Wim Wenders, Japan/Germany) — Centrepiece
By
Beatrice Loayza
TIFF 2023 | Pictures of Ghosts (Kleber Mendonça Filho, Brazil) — Wavelengths
By
Tom Charity
TIFF 2023 | Seven Veils (Atom Egoyan, Canada) — Special Presentations
By
Adam Nayman
TIFF 2023 | We Don’t Talk Like We Used To (Joshua Gen Solondz, US) — Wavelengths
By
Michael Sicinski
Cinema Scope Issue 95 | Table of Contents
By
cscope2
Back to Zero: The Experimental Cinema of Jean Eustache
By
Michael Sicinski
Master at Work: Paul Schrader on “Master Gardener”
By
Will Sloan
The Dream’s Dream: Lisandro Alonso on “Eureka”
By
Dennis Lim
Close Your Eyes (Víctor Erice, Spain)
By
Lawrence Garcia
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Editor’s Note
By
Mark Peranson
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TIFF 2023 | 100 Yards (Xu Haofeng, Xu Junfeng, China) — Centrepiece
By
Shelly Kraicer
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TIFF 2023 | A Happy Day (Hisham Zaman, Norway/Denmark) — Centrepiece
By
Gabrielle Marceau
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TIFF 2023 | A Normal Family (Hur Jin-ho, South Korea) — Gala Presentations
By
Michael Sicinski
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TIFF 2023 | A Road to a Village (Nabin Subba, Nepal) — Centrepiece
By
Winnie Wang
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TIFF 2023 | Achilles (Farhad Delaram, Iran/Germany/France) — Discovery
By
Angelo Muredda
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TIFF 2023 | After the Fire (Mehdi Fikri, France) — Discovery
By
Lawrence Garcia
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TIFF 2023 | American Fiction (Cord Jefferson, US) — Special Presentations
By
Adam Nayman
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TIFF 2023 | Anatomy of a Fall (Justine Triet, France) — Special Presentations
By
Aurelie Godet
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TIFF 2023 | Backspot (D.W. Waterson, Canada) — Discovery
By
Angelo Muredda
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TIFF 2023 | Banel & Adama (Ramata-Toulaye Sy, France/Senegal/Mali) — Centerpiece
By
Madeleine Wall
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TIFF 2023 | The Beast (Bertrand Bonello, France/Canada) — Special Presentations
By
Jordan Cronk
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