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Issue 45

Interviews

Suicide Girl: Athina Rachel Tsangari’s ATTENBERG by Adam Nayman

Every Day Is a Holiday: Li Hongqi on Winter Vacation by J.P. Sniadecki

Resisting Manipulation: An Interview With Cristi Puiu by Richard Porton


Features

Monstrous Satire: Larry Cohen’s Low-Budget Operations by Christoph Huber

Amongst the Ruins: The Two Poles of Fei Mu by Olaf Möller

Enacting The Terror: Germany in Autumn and Thoughts on Citizen Warfare by Michael Atkinson

All Points West: Taking measure of the films of Gary Beydler and Peter Bo Rappmund’s Psychohydrography by Max Goldberg


Spotlight: Festival Highlights

Mysteries of Lisbon / Raúl Ruiz by Quintín

Guest / José Luis Guerín by Jay Kuehner

The Erotic Man / Jørgen Leth & Dialogues / Owen Land by Michael Sicinski

Essential Killing / Jerzy Skolimowski by Andrew Tracy

El Sicario Room 164 / Gianfranco Rosi by Mark Peranson

In the Shadows / Thomas Arslan by Christoph Huber

Detroit ville sauvage / Florent Tillon by John Semley

Le Quattro Volte / Michelangelo Frammartino & Nostalgia for the Light / Patricio Guzmán by Jon Davies

Paraboles / Emmanuelle Demoris by Gabe Klinger

Chef-d’oeuvre? / Luc Moullet by Jonathan Rosenbaum


Columns

Editor’s Note

Film/Art: Eric Rohmer’s Perceval by Andréa Picard

Festivals: The Bullshit Logic of Patriotism by Jia Zhangke

DVD: The Elia Kazan Collection by Tom Charity

Books Around: Turkish Cinema by Olaf Möller


Currency

Somewhere by Scott Foundas

Black Swan by Robert Koehler

Putty Hill by Jason Anderson


Cinema Scope Online

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