» Issue 34
INTERVIEWSAs Far as the Eye Can See: Lance Hammer’s Ballast By Tom Charity Trainspotting Across America with James Benning By Mark Peranson Regarding the Pain of Others: Errol Morris on Standard Operating Procedure By Livia Bloom A Human Statement: Béla Tarr on The Man from London By Adam Nayman |
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FEATURESWelcome to the Wasteland: Wakamatsu Koji’s Radical Resistance Spiritual Voice, Material World: The Trouble with Sokurov’s Alexandra By Michael Sicinski A Minor Place: Ford at Fox By Andrew Tracy The Iceberg Effect: Israel’s Cinema of Disengagement By Pablo Utin Thoughts on Sad Vacation and the Post-Cinema of Aoyama Shinji |
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COLUMNSFilm/Art: Michael Auder’s The Feature By Andréa Picard Global Discoveries on DVD By Jonathan Rosenbaum Festivals: Sundance By Robert Koehler & Rob Nelson DVD Bonus: Class Relations By Richard Porton Books Around By Olaf Möller |
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CURRENCYElite Squad By Quintín Diary of the Dead By Adam Nayman Silent Light By Jay Kuehner |
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