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	<title>Cinema Scope</title>
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	<description>Expanding the Frame on International Cinema</description>
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		<title>Cinema Scope Top Ten of 2011</title>
		<link>http://cinema-scope.com/wordpress/cs-online/cinema-scope-top-ten-of-2011-2/</link>
		<comments>http://cinema-scope.com/wordpress/cs-online/cinema-scope-top-ten-of-2011-2/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 23:09:32 +0000</pubDate>
		<dc:creator>cscope2</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Dreileben]]></category>
		<category><![CDATA[It's the Earth Not the Moon]]></category>
		<category><![CDATA[Kill List]]></category>
		<category><![CDATA[L'Apollonide]]></category>
		<category><![CDATA[Le gamin au vélo]]></category>
		<category><![CDATA[Once Upon a Time in Anatolia]]></category>
		<category><![CDATA[Sleeping Sickness]]></category>
		<category><![CDATA[The Tree of Life]]></category>
		<category><![CDATA[The Turin Horse]]></category>
		<category><![CDATA[This Is Not a Film]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=3840</guid>
		<description><![CDATA[1. This Is Not a Film (Jafar Panahi, Mojtaba Mirtahmasb) &#160; 2. The Turin Horse (Béla Tarr) &#160; 3. L’Apollonide—Souvenirs de la maison close (Bertrand Bonello) &#160; 4. Dreileben (Christian Petzold, Dominik Graf, Christoph Hochhäusler) &#160; 5. Once Upon a Time in Anatolia (Nuri Bilge Ceylan) &#160; 6. The Tree of Life (Terrence Malick) &#160;... <a href="http://cinema-scope.com/wordpress/cs-online/cinema-scope-top-ten-of-2011-2/">Read More</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Canada’s Top Ten 2011: The Roundtable</title>
		<link>http://cinema-scope.com/wordpress/cs-online/canada%e2%80%99s-top-2011-the-roundtable/</link>
		<comments>http://cinema-scope.com/wordpress/cs-online/canada%e2%80%99s-top-2011-the-roundtable/#comments</comments>
		<pubDate>Thu, 05 Jan 2012 22:02:16 +0000</pubDate>
		<dc:creator>cscope2</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[A Dangerous Method]]></category>
		<category><![CDATA[Cafe de flore]]></category>
		<category><![CDATA[Canada's Top Ten]]></category>
		<category><![CDATA[Edwin Boyd]]></category>
		<category><![CDATA[Hobo with a Shotgun]]></category>
		<category><![CDATA[Keyhole]]></category>
		<category><![CDATA[Le Vendeur]]></category>
		<category><![CDATA[Marecages]]></category>
		<category><![CDATA[Monsieur Lazhar]]></category>
		<category><![CDATA[Starbuck]]></category>
		<category><![CDATA[Take This Waltz]]></category>
		<category><![CDATA[TIFF]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=3763</guid>
		<description><![CDATA[We’ve already discussed the majority of the features on this year’s Canada&#8217;s Top Ten list in some form or another in the pages of Cinema Scope or on Cinema Scope Online, many during our TIFF coverage. But as it’s still the time of year when film culture is obsessed with lists—writing them, reading them, arguing... <a href="http://cinema-scope.com/wordpress/cs-online/canada%e2%80%99s-top-2011-the-roundtable/">Read More</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kinda Like a Movie: Jason Reitman’s Young Adult</title>
		<link>http://cinema-scope.com/wordpress/cs-online/kinda-like-a-movie-jason-reitman%e2%80%99s-young-adult/</link>
		<comments>http://cinema-scope.com/wordpress/cs-online/kinda-like-a-movie-jason-reitman%e2%80%99s-young-adult/#comments</comments>
		<pubDate>Fri, 16 Dec 2011 12:06:20 +0000</pubDate>
		<dc:creator>cscope2</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Adam Nayman]]></category>
		<category><![CDATA[Charlize Theron]]></category>
		<category><![CDATA[Diablo Cody]]></category>
		<category><![CDATA[Jason Reitman]]></category>
		<category><![CDATA[Patton Oswalt]]></category>
		<category><![CDATA[Young Adult]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=3586</guid>
		<description><![CDATA[By Adam Nayman In his review of Jason Reitman’s Young Adult, J. Hoberman informs us that its protagonist, 37-year-old hack writer Mavis Gary (Charlize Theron), “packs up and drives back to [her hometown of] Mercury, Minnesota, while playing a vintage mix tape heavy on The Replacements.” This is incorrect: the song that Mavis keeps blasting... <a href="http://cinema-scope.com/wordpress/cs-online/kinda-like-a-movie-jason-reitman%e2%80%99s-young-adult/">Read More</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cinema Scope 49: Coming Soon</title>
		<link>http://cinema-scope.com/wordpress/cs-online/cinema-scope-49-coming-soon/</link>
		<comments>http://cinema-scope.com/wordpress/cs-online/cinema-scope-49-coming-soon/#comments</comments>
		<pubDate>Sun, 11 Dec 2011 21:02:21 +0000</pubDate>
		<dc:creator>Ed</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Ai Weiwei]]></category>
		<category><![CDATA[Ben Wheatley]]></category>
		<category><![CDATA[Cinema Scope 49]]></category>
		<category><![CDATA[David Gatten]]></category>
		<category><![CDATA[Kill List]]></category>
		<category><![CDATA[William Friedkin]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=3537</guid>
		<description><![CDATA[Table of Contents Interviews Hammer Horror: Ben Wheatley’s Kill List by Adam Nayman Bad Billy: William Friedkin on Killer Joe by Olivier Père Documentary Is Just One of My Tools: The Cinematic Activism of Ai Weiwei by J.P. Sniadecki Gross Conduct: Michael Dowse on Goon by John Semley &#160; Features Journeys Through Berlin, 1986: Urban Miniatures by Eric... <a href="http://cinema-scope.com/wordpress/cs-online/cinema-scope-49-coming-soon/">Read More</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Moment of Silents: Michel Hazanavicius’ The Artist</title>
		<link>http://cinema-scope.com/wordpress/cs-online/a-moment-of-silents-michel-hazanavicius%e2%80%99-the-artist/</link>
		<comments>http://cinema-scope.com/wordpress/cs-online/a-moment-of-silents-michel-hazanavicius%e2%80%99-the-artist/#comments</comments>
		<pubDate>Fri, 09 Dec 2011 13:54:48 +0000</pubDate>
		<dc:creator>Ed</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Bérénice Bejo]]></category>
		<category><![CDATA[Jean Dujardin]]></category>
		<category><![CDATA[Michael Sicinski]]></category>
		<category><![CDATA[Michel Hazanavicius]]></category>
		<category><![CDATA[The Artist]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=3521</guid>
		<description><![CDATA[By Michael Sicinski This “serious” breakthrough by French comic director Michel Hazanavicius, best known for his OSS spy-flick parodies, is a head-scratcher, a problem that won’t go away, and above all an object that isn’t worth the ire of any hardcore cinephile. It’s basic mediocrity in a clever new disguise. One can take umbrage, I... <a href="http://cinema-scope.com/wordpress/cs-online/a-moment-of-silents-michel-hazanavicius%e2%80%99-the-artist/">Read More</a>]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Re-Invention of Dreams: Martin Scorsese’s Hugo</title>
		<link>http://cinema-scope.com/wordpress/cs-online/the-re-invention-of-dreams-martin-scorsese%e2%80%99s-hugo/</link>
		<comments>http://cinema-scope.com/wordpress/cs-online/the-re-invention-of-dreams-martin-scorsese%e2%80%99s-hugo/#comments</comments>
		<pubDate>Fri, 02 Dec 2011 16:07:53 +0000</pubDate>
		<dc:creator>cscope2</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Ben Kingsley]]></category>
		<category><![CDATA[Hugo]]></category>
		<category><![CDATA[Jude Law]]></category>
		<category><![CDATA[Martin Scorsese]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=3509</guid>
		<description><![CDATA[By Jason Anderson For a director to craft a movie that could inspire young viewers to become filmmakers themselves was a well-worn ambition long before the making of Super 8. But leave it to Martin Scorsese to trump J.J. Abrams by fashioning a slice of pure incandescent wonder that’ll have tykes telling their parents they’d... <a href="http://cinema-scope.com/wordpress/cs-online/the-re-invention-of-dreams-martin-scorsese%e2%80%99s-hugo/">Read More</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Shamans · Animals: A Report from the 8th Annual China Independent Film Festival</title>
		<link>http://cinema-scope.com/wordpress/cs-online/shamans-%c2%b7-animals-a-report-from-the-8th-annual-china-independent-film-festival/</link>
		<comments>http://cinema-scope.com/wordpress/cs-online/shamans-%c2%b7-animals-a-report-from-the-8th-annual-china-independent-film-festival/#comments</comments>
		<pubDate>Fri, 25 Nov 2011 08:28:34 +0000</pubDate>
		<dc:creator>Ed</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[China]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Film Criticism]]></category>
		<category><![CDATA[Manifesto]]></category>
		<category><![CDATA[Nanjing]]></category>
		<category><![CDATA[Shelly Kraicer]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=3478</guid>
		<description><![CDATA[By Shelly Kraicer Independent film festivals in China have become rather exciting lately. And I’m not just talking about the films. If they’re not being raided by the authorities (see my account of the 2011 Beijing Independent Film Festival at dGeneratefilms.com), then they’re platforms for furious and impassioned debate between filmmakers, curators, critics, and theoreticians.... <a href="http://cinema-scope.com/wordpress/cs-online/shamans-%c2%b7-animals-a-report-from-the-8th-annual-china-independent-film-festival/">Read More</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Endings and Endings: Recontres Internationales du Documentaire de Montreal 2011</title>
		<link>http://cinema-scope.com/wordpress/cs-online/endings-and-endings-recontres-internationales-du-documentaire-de-montreal-2011/</link>
		<comments>http://cinema-scope.com/wordpress/cs-online/endings-and-endings-recontres-internationales-du-documentaire-de-montreal-2011/#comments</comments>
		<pubDate>Sat, 19 Nov 2011 00:30:03 +0000</pubDate>
		<dc:creator>Ed</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Adam Nayman]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Ivan and Ivana]]></category>
		<category><![CDATA[Montreal]]></category>
		<category><![CDATA[RIDM]]></category>
		<category><![CDATA[Yatasto]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=3464</guid>
		<description><![CDATA[By Adam Nayman I’m not sure what the small clutch of filmmakers, buyers, distributors and other assorted festival-goers with a hole in their early-morning schedules got out of Jan Rofekamp’s presentation at RIDM’s market. Armed with a laptop containing short clips from about a dozen recent documentaries, the Films Transit International honcho didn’t so much... <a href="http://cinema-scope.com/wordpress/cs-online/endings-and-endings-recontres-internationales-du-documentaire-de-montreal-2011/">Read More</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Horrible Bosses: Margin Call</title>
		<link>http://cinema-scope.com/wordpress/uncategorized/horrible-bosses-margin-call/</link>
		<comments>http://cinema-scope.com/wordpress/uncategorized/horrible-bosses-margin-call/#comments</comments>
		<pubDate>Fri, 11 Nov 2011 20:04:42 +0000</pubDate>
		<dc:creator>cscope2</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Adam Nayman]]></category>
		<category><![CDATA[Demi Moore]]></category>
		<category><![CDATA[J.C. Chandor]]></category>
		<category><![CDATA[Jeremy Irons]]></category>
		<category><![CDATA[Kevin Spacey]]></category>
		<category><![CDATA[Margin Call]]></category>
		<category><![CDATA[Paul Bettany]]></category>
		<category><![CDATA[Stanley Tucci]]></category>
		<category><![CDATA[Zachary Quinto]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=3449</guid>
		<description><![CDATA[By Adam Nayman The Occupy Wall Street protestors who assault the hapless Kenneth Park ( Bobby Lee ) near the beginning of A Very Harold and Kumar 3-D Christmas are a sight gag: an excuse to restage James Caan&#8217;s tollbooth execution in The Godfather (1972) with hucked eggs in lieu of bullets. &#8220;They&#8217;ve lost their... <a href="http://cinema-scope.com/wordpress/uncategorized/horrible-bosses-margin-call/">Read More</a>]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Port of Forgotten Dreams: Aki Kaurismäki’s Le Havre</title>
		<link>http://cinema-scope.com/wordpress/cs-online/port-of-forgotten-dreams-aki-kaurismaki%e2%80%99s-le-havre/</link>
		<comments>http://cinema-scope.com/wordpress/cs-online/port-of-forgotten-dreams-aki-kaurismaki%e2%80%99s-le-havre/#comments</comments>
		<pubDate>Fri, 04 Nov 2011 15:42:17 +0000</pubDate>
		<dc:creator>cscope2</dc:creator>
				<category><![CDATA[Cinema Scope Online]]></category>
		<category><![CDATA[Aki Kaurismäki]]></category>
		<category><![CDATA[Le Havre]]></category>
		<category><![CDATA[Michael Sicinski]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=3439</guid>
		<description><![CDATA[By Michael Sicinski Can there be such a thing as a productive political fantasy? This is far from a rhetorical question, and as I revisit Aki Kaurismäki’s latest film, which is without a doubt a political film for our times, I find myself grappling with this very question. This is because the idea of what... <a href="http://cinema-scope.com/wordpress/cs-online/port-of-forgotten-dreams-aki-kaurismaki%e2%80%99s-le-havre/">Read More</a>]]></description>
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