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	<title>Cinema Scope</title>
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	<description>Expanding the Frame on International Cinema</description>
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		<title>Cinema Scope Top Ten Films of the Decade</title>
		<link>http://cinema-scope.com/wordpress/2010/03/cinema-scope-top-ten-films-of-the-decade/</link>
		<comments>http://cinema-scope.com/wordpress/2010/03/cinema-scope-top-ten-films-of-the-decade/#comments</comments>
		<pubDate>Thu, 18 Mar 2010 15:14:45 +0000</pubDate>
		<dc:creator>cscope</dc:creator>
				<category><![CDATA[The Decade In Review]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=1417</guid>
		<description><![CDATA[

1. Platform (Jia Zhangke, 2000)
2. In Vanda’s Room (Pedro Costa, 2001)
3. La libertad (Lisandro Alonso, 2001)
4. Los Angeles Plays Itself (Thom Andersen, 2003)
5. 13 Lakes (James Benning, 2004)
6. Evolution of a Filipino Family (Lav Diaz, 2004)
7. Yi Yi (Edward Yang, 2000)
8. Black Book (Paul Verhoeven, 2006)
9. Memories of Murder (Bong Joon-ho, 2003)
10. Mulholland Drive (David [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Olivier Père</title>
		<link>http://cinema-scope.com/wordpress/2010/03/olivier-pere/</link>
		<comments>http://cinema-scope.com/wordpress/2010/03/olivier-pere/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 00:18:29 +0000</pubDate>
		<dc:creator>cscope</dc:creator>
				<category><![CDATA[The Decade In Review]]></category>
		<category><![CDATA[Alexander Sokurov]]></category>
		<category><![CDATA[Miguel Gomes]]></category>
		<category><![CDATA[Olivier Père]]></category>
		<category><![CDATA[Paul Verhoeven]]></category>
		<category><![CDATA[Quentin Tarantino]]></category>
		<category><![CDATA[Vincent Gallo]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=1277</guid>
		<description><![CDATA[
Russian Ark by Alexander Sokurov (2002)
The last great master, in the Viscontian sense of European cinema. And one of the great digital artists, endowing digital with a Proustian impact. His films raise issues about preservation (of History, Art) and memory. I could equally well cite his magnificent film The Sun.
Black Book by Paul Verhoeven (2006)
Verhoeven [...]]]></description>
		<wfw:commentRss>http://cinema-scope.com/wordpress/2010/03/olivier-pere/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Cyril Neyrat</title>
		<link>http://cinema-scope.com/wordpress/2010/03/cyril-neyrat/</link>
		<comments>http://cinema-scope.com/wordpress/2010/03/cyril-neyrat/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 00:17:58 +0000</pubDate>
		<dc:creator>cscope</dc:creator>
				<category><![CDATA[The Decade In Review]]></category>
		<category><![CDATA[Cyril Neyrat]]></category>
		<category><![CDATA[Quei loro incontri]]></category>
		<category><![CDATA[The Brown Bunny]]></category>
		<category><![CDATA[The Sun]]></category>
		<category><![CDATA[Tropical Malady]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=1275</guid>
		<description><![CDATA[
If the films were classified in order of preference, In Vanda’s Room would occupy first place. It’s by chance that Costa’s film tops a chronological ordering: of the ten cited, it is undoubtedly the only one whose importance can be immediately measured against the scale of cinema history. In Vanda’s Room launched a new epoch, [...]]]></description>
		<wfw:commentRss>http://cinema-scope.com/wordpress/2010/03/cyril-neyrat/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Charles Mudede</title>
		<link>http://cinema-scope.com/wordpress/2010/03/charles-mudede/</link>
		<comments>http://cinema-scope.com/wordpress/2010/03/charles-mudede/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 00:17:26 +0000</pubDate>
		<dc:creator>cscope</dc:creator>
				<category><![CDATA[The Decade In Review]]></category>
		<category><![CDATA[A Brief History of Neoliberalism]]></category>
		<category><![CDATA[Blade Runner]]></category>
		<category><![CDATA[Charles Mudede]]></category>
		<category><![CDATA[Silent Light]]></category>
		<category><![CDATA[Sleep Dealer]]></category>
		<category><![CDATA[Star Wars]]></category>
		<category><![CDATA[The Matrix]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=1273</guid>
		<description><![CDATA[
The best science-fiction film of the ‘00s is Alex Rivera’s Sleep Dealer (2008)—the next great science-fiction film of that decade is Silent Light (2007). The interesting thing is that both are set in Mexico. But Silent Light is about aliens in an alien world, and Sleep Dealer is about humans in a post-human world. Rivera, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>C.W. Winter</title>
		<link>http://cinema-scope.com/wordpress/2010/03/c-w-winter/</link>
		<comments>http://cinema-scope.com/wordpress/2010/03/c-w-winter/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 00:16:59 +0000</pubDate>
		<dc:creator>cscope</dc:creator>
				<category><![CDATA[The Decade In Review]]></category>
		<category><![CDATA[C.W. Winter]]></category>
		<category><![CDATA[Inside the Dream Syndicate]]></category>
		<category><![CDATA[Late Spring]]></category>
		<category><![CDATA[Volume 1: Day of Niagara]]></category>
		<category><![CDATA[Yellow Movie]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=1271</guid>
		<description><![CDATA[
It’s not often that one would write about a film while it’s still in the middle of its first screening. But as it turns out, one of my favourite movies of this decade—a movie that’s also one of my favourites of the ‘90s, ‘80s, and ‘70s—offers no other choice. I’m speaking of Tony Conrad’s Yellow [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Bérénice Reynaud</title>
		<link>http://cinema-scope.com/wordpress/2010/03/berenice-reynaud/</link>
		<comments>http://cinema-scope.com/wordpress/2010/03/berenice-reynaud/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 00:16:25 +0000</pubDate>
		<dc:creator>cscope</dc:creator>
				<category><![CDATA[The Decade In Review]]></category>
		<category><![CDATA[24 City]]></category>
		<category><![CDATA[Bérénice Reynaud]]></category>
		<category><![CDATA[Still Life and Dong]]></category>
		<category><![CDATA[West of the Tracks]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=1269</guid>
		<description><![CDATA[
One of the most important filmic events of the decade was Wang Bing’s monumental West of the Tracks, which changed the way we look at documentary, social reality, and Chinese cinema. From December 1999 to the spring of 2001, Wang and his sound engineer Lin Xudong stayed at their own expense in the Ti Xie [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jennifer Reeves</title>
		<link>http://cinema-scope.com/wordpress/2010/03/jennifer-reeves/</link>
		<comments>http://cinema-scope.com/wordpress/2010/03/jennifer-reeves/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 00:15:47 +0000</pubDate>
		<dc:creator>cscope</dc:creator>
				<category><![CDATA[The Decade In Review]]></category>
		<category><![CDATA[Bright Star]]></category>
		<category><![CDATA[Grave C]]></category>
		<category><![CDATA[Horizontal Boundaries]]></category>
		<category><![CDATA[House of Love]]></category>
		<category><![CDATA[Jennifer Reeves]]></category>
		<category><![CDATA[Last Days in a Lonely Place]]></category>
		<category><![CDATA[Light and Sound Machine]]></category>
		<category><![CDATA[Lot 63]]></category>
		<category><![CDATA[Observando el cielo]]></category>
		<category><![CDATA[Persepolis]]></category>
		<category><![CDATA[Play Pause]]></category>
		<category><![CDATA[Tulpan]]></category>
		<category><![CDATA[Viscera]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=1267</guid>
		<description><![CDATA[
Every contender for a “best-of” list should be seen more than once. First impressions aren’t always what they’re cracked up to be. And if you care about accuracy and fairness, films not commercially distributed should be given as much consideration as widely available ones. As I was unable to view all of my “contenders” multiple [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Tony Rayns</title>
		<link>http://cinema-scope.com/wordpress/2010/03/tony-rayns/</link>
		<comments>http://cinema-scope.com/wordpress/2010/03/tony-rayns/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 00:14:54 +0000</pubDate>
		<dc:creator>cscope</dc:creator>
				<category><![CDATA[The Decade In Review]]></category>
		<category><![CDATA[Tony Rayns]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=1265</guid>
		<description><![CDATA[
Seven hundred words aren’t many to fillet the best from a decade, especially when you’d like to use some of them to discuss how archival DVD releases are helping to demolish the institution of film criticism. Maybe we can get to that topic in a future issue, but for now—best crack on.
In September 2004 I [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Quintín</title>
		<link>http://cinema-scope.com/wordpress/2010/03/quintin/</link>
		<comments>http://cinema-scope.com/wordpress/2010/03/quintin/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 00:14:22 +0000</pubDate>
		<dc:creator>cscope</dc:creator>
				<category><![CDATA[The Decade In Review]]></category>
		<category><![CDATA[Like You Know It All]]></category>
		<category><![CDATA[Quintín]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=1263</guid>
		<description><![CDATA[
Hong Sang-soo’s most recent film, Like You Know It All (2009), begins with a filmmaker arriving at a film festival in Korea, where he’s supposed to serve on the jury. Hong’s basic plots are usually triggered by his memories, and so some people call him a Proustian director, while others prefer Rohmerian, due to his [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Andréa Picard</title>
		<link>http://cinema-scope.com/wordpress/2010/03/andrea-picard/</link>
		<comments>http://cinema-scope.com/wordpress/2010/03/andrea-picard/#comments</comments>
		<pubDate>Wed, 17 Mar 2010 00:13:19 +0000</pubDate>
		<dc:creator>cscope</dc:creator>
				<category><![CDATA[The Decade In Review]]></category>
		<category><![CDATA[Andréa Picard]]></category>

		<guid isPermaLink="false">http://cinema-scope.com/wordpress/?p=1261</guid>
		<description><![CDATA[
A decade of remembering (or, Avant que j’oublie) Literally. Or the fear of forgetting. From Godard’s elegiac Éloge de l’amour (an anguished apologia for the ramshackle installation to come—another of the decade’s most memorable moments strewn amid the ruins of abandoned thought), perhaps the most poignant and prescient statement of the ‘00s (one plus one), not [...]]]></description>
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		<slash:comments>0</slash:comments>
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