By Quintín
In 1999, as a jury member for Antorchas, a now-defunct private foundation that awarded endowments for the arts and the sciences in Argentina, I was reading a huge pile of scripts from filmmakers applying for something like $10,000 US in funding. One of those scripts, written by one Mariano Llinás, was completely different from the others. Not only did it lack the usual three-act …
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INTERVIEWS
Me, You, and Everyone They Know: A Conversation with Maren Ade by Mark Peranson
Cryptographies and Blood: Francis Ford Coppola’s Tetro by Adam Nayman
The Inextinguishable Fire: Reginald Harkema on Leslie, My Name Is Evil by Jason Anderson
WEB ONLY
Nicholas Ray’s Bigger Than Life: A Conversation with Jonathan Lethem by Jim Healy
FEATURES
Agrarian Utopias/Dystopias: The New Nonfiction by Robert Koehler
The Road to In the Loop: British Satire-Sitcom-Cinema by Henry K. Miller
Vulgar Auteurism: The Case of Michael Mann by Andrew Tracy
The Legend of Guru Dutt by Jerry White
Mariano Llinás and Other Argentinean Species: Beyond Official Cinema by Quintín
COLUMNS
Editor’s Note
Books Feature: Hong Kong University Press by Bart Testa
Books Around by Olaf Möller
Global Discoveries on DVD by Jonathan Rosenbaum
DVD Bonus: Bill Douglas’ Comrades by Tom Charity
SPOTLIGHT: FALL FESTIVAL PREVIEW
Harmony Korine’s Trash Humpers by Dennis Lim
Knit & Purl by James Benning
Bruno Dumont’s Hadewijch by Scott Foundas
Ben Russell’s Let Each One Go Where He May by Michael Sicinski
DEATHS OF CINEMA
Gerhard Friedl by Christoph Huber
Allan King by Travis Mackenzie Hoover
Yasmin Ahmad by Amir Muhammad
CURRENCY
Funny People by John Semley
Bright Star by Livia Bloom
WEB ONLY
All Fall Down by Michael Sicinski
