Wong Kar-wai

One Horizontal, One Vertical: Some Preliminary Observations on Wong Kar-wai’s The Grandmaster

By Shelly Kraicer The good news about Wong Kar-wai’s new film is that, following the debacle that was My Blueberry Nights (2007), the good Wong is back. The Grandmaster not only banishes the (thankfully now easily forgotten) memory of Blueberry, but also manages to continue building on themes and forms from Wong’s previous films while…
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