Steven Spielberg

The Fabelmans (Steven Spielberg, U.S., Universal)

The Fabelmans (Steven Spielberg, US)

The city of Phoenix has a legacy of unfulfilled aspirations and things that never quite were. From the legend of the Lost Dutchman’s Gold Mine, to the Suns’ countless playoff eliminations, or even Barry Goldwater and John McCain’s respective failed runs for the presidency, the Arizona capital is emblematic of always being—and staying— just on the cusp of greatness. Despite being the fifth largest city in the US, it’s an amorphous locale within the iconography of the nation’s metropolises. It’s seen as a place in the sun where Canadian snowbirds go to thaw out, where Californians come to retire, and the last major stop before the long stretch of Sonoran Desert in all directions. 
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Minority Report: Armond White Wants to Make Spielberg Great Again

By Adam Nayman The “About the Author” section of Armond White’s new critical anthology does not disappoint. In the space of four short paragraphs, White is identified as “esteemed, controversial and brilliantly independent” as well as “The Last Honest Film Critic in America”; his résumé comprises “auspicious tomes” that are “essential for anyone who loves…
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Django Unchained (Quentin Tarantino, US)

By Quintín In one of the first scenes of Steven Spielberg’s Lincoln (2012), a black soldier stands proudly and defiantly in front of the President and, without technically overstepping the bounds of respectfulness, argues that African-Americans (it sounds ridiculous to use that term in this context, doesn’t it?) deserve pay equal to that of white…
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All About Steve: Super 8

By Adam Nayman Put on the spot in an interview about why there were so many lens flares in his reboot of Star Trek (2009), J.J. Abrams joked that it was “because the future was so bright that it couldn’t be contained in the frame.” Super 8, which takes place in a 1979 that is…
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